MASKS AND MASKERS
Moors and Juliets and Circassian slaves and Knights at Arms were fast emerging from lift or cloak room, and confronting each other through their masks in sheepish defiance and curiosity. Adventurous spirits were circulating. Voices, lowered and guarded, began to engage in nervous, tittering banter.... Laughter, belatedly smothered, flared to betrayals....
The orchestra was playing a Viennese waltz and couple after couple slipped out upon the floor.
Lounging against the wall, Ryder glowered mockingly through his mask holes at the motley. It was so exactly as he had foreseen. He was bored—and he was going to be more bored. He was jostled—and he was going to be more jostled. He was hot—and he was going to be hotter.
Where in the world was Jinny Jeffries? He deserved, he felt, exhilaratingly kind treatment to compensate him for this insanity. He gazed about, and encountering a plump shepherdess ogling him he stepped hastily behind a palm.
He fairly stepped upon a very small person in black. A phantom-like small person, with the black silk hubarah of the Mohammedan high-caste woman drawn down to her very brows, and over the entire face the black street veil. Not a feature visible. Not an eyebrow. Not an eyelash, not a hint of the small person herself, except a very small white, ringed hand, lifted as if in defense of his clumsiness.
"Sorry," said Ryder quickly, and driven by the instinct of reparation. "Won't you dance?"
A mute shake of the head.
Well, his duty was done. But something, the very lack of all invitation in the black phantom, made him linger. He repeated his request in French.
From behind the veil came a liquidly soft voice with a note of mirth. "I understand the English, monsieur," it informed him.