"Why Jack Ryder!" said Jinny indignantly.
"Nonsense," said he to her indignation. "Don't you remember when your aunt's petticoat came off on the way to church? It happens."
"But it doesn't run in families!"
Her protest fell apparently upon the back of his head. He had turned to the last sarcophagus and was slipping his fingers beneath the lid. "Here, Andy," he said quickly. "I had it wedged so it wasn't tight shut, but it's been so infernally hot and dusty—"
He was tremendously troubled. It was not the heat which had brought those fine beads of moisture to his brow, white above the line of brown, and drawn such a pale ring about his mouth. McLean saw that the slim, wiry wrists which supported the case's top were shaking.
"Gently now," he murmured and the lid was lifted and laid aside.
The same dark, unstirring form of the tomb scene. The same dry, dusty little mummy.... But with hands strangely reckless for an archaeologist dealing with the priceless stuff of time Ryder tore at those bandages; he unwrapped, he unwound, and in a lightning's flash—
To McLean's tense, expectant nerves it was like a scene at the pantomime. He had divined it; he had foreseen and yet there was the shock and eerie thrill of magic, the appealing unreality of the supernatural in the revelation.
In a wave of an enchanter's wand the mummy was gone. And in its place lay a Sleeping Beauty, the dark hair in sculptured closeness to the head, the long, black lashes sweeping the still cheeks.