MEMOIRS OF

EMMA COURTNEY

MARY HAYS


CONTENTS

[Preface]
[Volume I][Volume II]
[CHAPTER I][CHAPTER I]
[CHAPTER II][CHAPTER II]
[CHAPTER III][CHAPTER III]
[CHAPTER IV][CHAPTER IV]
[CHAPTER V][CHAPTER V]
[CHAPTER VI][CHAPTER VI]
[CHAPTER VII][CHAPTER VII]
[CHAPTER VIII][CHAPTER VIII]
[CHAPTER IX][CHAPTER IX]
[CHAPTER X][CHAPTER X]
[CHAPTER XI][CHAPTER XI]
[CHAPTER XII][CHAPTER XII]
[CHAPTER XIII][CHAPTER XIII]
[CHAPTER XIV][CHAPTER XIV]
[CHAPTER XV][CHAPTER XV]
[CHAPTER XVI][CHAPTER XVI]
[CHAPTER XVII][CHAPTER XVII]
[CHAPTER XVIII][CHAPTER XVIII]
[CHAPTER XIX][CHAPTER XIX]
[CHAPTER XX][CHAPTER XX]
[CHAPTER XXI][CHAPTER XXI]
[CHAPTER XXII][CHAPTER XXII]
[CHAPTER XXIII][CHAPTER XXIII]
[CHAPTER XXIV][CHAPTER XXIV]
[CHAPTER XXV][CHAPTER XXV]
[CHAPTER XXVI][CHAPTER XXVI]
[CHAPTER XXVII][CHAPTER XXVII]
[CHAPTER XXVIII]

PREFACE

The most interesting, and the most useful, fictions, are, perhaps, such, as delineating the progress, and tracing the consequences, of one strong, indulged, passion, or prejudice, afford materials, by which the philosopher may calculate the powers of the human mind, and learn the springs which set it in motion—'Understanding, and talents,' says Helvetius, 'being nothing more, in men, than the produce of their desires, and particular situations.' Of the passion of terror Mrs Radcliffe has made admirable use in her ingenious romances.—In the novel of Caleb Williams, curiosity in the hero, and the love of reputation in the soul-moving character of Falkland, fostered into ruling passions, are drawn with a masterly hand.