AUNT OCHO'S GARDEN.
After the butterfly show another man performs some wonderful tricks with a ladder. He places the ladder upright on the ground without any support; he climbs it, rung by rung, keeping its balance all the time. Finally he reaches the very top and stands on one foot, bowing and gracefully waving a fan. There is not time to tell you all the wonderful feats of the Japanese. Toyo and Lotus Blossom are delighted, although they have seen performances like these many times before.
But they must really hasten on their journey, for aunty will be expecting them, and it will soon be sunset. In a few moments they leave the city behind and are out in the beautiful country. They pass tea plantations. The glossy green leaves are almost ready to pick. See the man in that field, running wildly about, making hideous noises. Is he crazy? Our little cousins do not seem disturbed as they pass by, for he is only a hired scarecrow. You remember that the people in Japan think it wrong to kill any living thing. But there are great numbers of birds in the country which are likely to eat the crops and do much damage. So men are hired to act as scarecrows and make noises to frighten the birds away.
At last Uncle Oto's rice plantation is reached. The children draw up in front of a large, low house with wide verandas. It is more beautiful than their own home. The roof is magnificent with carvings, and must have cost a great deal of money. It is the pride of Aunt Ocho. The gardens contain the choicest plants and trees, besides a pond and an artificial waterfall. Lotus Blossom and Toyo are sure of a good time and much fun. They will have a great deal to tell their mamma when they return to their home.
Time passes by. The children have been back in their own home a long time. They are now looking forward to New Year's day. Everything is excitement about the house. Mamma has hired an extra servant to help clean the house from right to left; not from top to bottom, as we say, for there are no stairways or rooms overhead. Everything is on one floor, remember. The screens are carefully wiped, the mats receive an extra shaking, and then mamma brings out her choicest vase from the storehouse and places it on a beautiful, ebony stand in the place of honour. The Japanese are not at all like us. They are so simple in their tastes, and love beautiful things so much, that they have only one or two pieces, at the most, on view at a time. They think they can enjoy them more fully in this way.
The most honoured father orders some workmen to come and set up some tall pine branches in front of the gateway. One is of black, the other of red pine, and tall bamboo reeds are placed beside them. A grass rope is stretched from one reed to the other, and some funny strips of white paper are hung on it. You saw many of these papers at the temple where the children worship. This work is very important to the childlike people. They think that the rope, with papers fastened to it, will keep away all the evil spirits that are ever ready to spoil the happiness of human beings. They are demons, who take the shape of foxes, badgers, and wolves, and are frightful enough to the imagination of Lotus Blossom and her brother. Of course, the children are glad that the evil spirits are to be surely kept away.
Other things are hung on the rope for good luck. There is a piece of charcoal and some seaweed, and a "lucky bag" filled with chestnuts, a bit of herring and some dried fruit. All these things will make the gods understand they are not forgotten.
The day before New Year's some men come to the house with an oven and proceed to make the grand New Year's cake. It must not be eaten, however, until the 11th of January. The children stand around and watch the men pound the sticky rice-paste with a heavy mallet. At last it is smooth enough, and then it is cut into rounds and built up into a pyramid. I hear you say, "Well, I'd rather have my mother's plum-cake, any time." But not so with Lotus Blossom and Toyo. They watch their mother anxiously as she places it with great care on a lacquered stand, to remain until the time comes to eat it.