IN THE PEASANT VILLAGE.
On the front of each hut are three little windows, close together. The sashes and frames are painted a bright red, or perhaps a gaudy purple. The Russian peasant is very fond of colour, and will work hard for the sake of a new red shirt for himself or a yellow skirt for his wife.
The porch and doorway are on one side of the hut. In summer time an earthen kettle hangs down from the roof, and as the father comes home from his work he will stop a moment and tip a little water out of the kettle over his hands. He rubs them together and wipes himself on the tail of his shirt. This is the only washing he has except the weekly steaming in the village bath-house.
Look at the flocks of pigeons around the house. They are very tame. They appear well fed and fat. In Russia the pigeon or dove is a sacred bird and is never harmed. The rough peasant will share his last crust with a pigeon.
Petrovna goes to the door of one of the cottages and passes inside. Oh dear, how close the place is! It smells strongly of the cabbage soup boiling for the day's dinner. Only one small room in the house. Yet there is a large family of children living here, besides half a dozen shaggy-haired dogs. With the exception of the big brick stove, there is no furniture except what the father made himself. In one corner of the room is a rickety table.
A narrow bench is built against the wall on two sides of the room. There are no chairs and no beds. How do they get along? And yet they seem quite happy and comfortable. Papa and mamma sleep up on top of the big stove. The older children sleep beside them. Don't worry, my dears. They do not get burned, but like their hard, warm bed very much. The logs burn down to ashes in the daytime. The bricks are just pleasantly warm by night.
But the little girl to whom Petrovna has brought the dress, and her three-year-old brother, where do they sleep? On the benches against the walls. If they should have bad dreams and tumble off in the night, it would not matter so very much, for the bench is near the floor.
When meal time comes, the family does not gather around the table, for as I told you, there are no seats that can be moved. They sit on the benches, and the table is therefore kept in the corner of the room. They can sit at only two sides of it, of course.
But I have not yet spoken of the most important thing in the house. It is the Ikon, or sacred picture. The priest blessed it before it was brought to the home. There is a place for a candle to burn in front of it, but these poor people cannot afford to keep one lighted all the time. This picture has no gold upon it, like the one in Petrovna's house. It cost only a few pennies, but it is sacred, nevertheless. The family give it reverence many times a day. It is never forgotten as they enter the room.
It sometimes happens, I am sorry to say, that the father comes home the worse for taking strong drink. Perhaps he cannot walk straight, and hangs his head from side to side. But when he opens the door, he remembers to turn to the sacred picture and cross himself before it.