"Poor little Nina," and Edith's tears fell fast upon the bit of paper. "I WILL see you to-day. Perhaps I may do you some good. Dear, unfortunate Nina!"
There was a step upon the grass, and thrusting the note into her pocket, Edith turned to meet Arthur, who seemed this morning unusually cheerful and greeted her with something like his olden tenderness. But Edith was too intent upon Nina to think much of him, and after the lesson commenced, she appeared so abstracted that it was Arthur's turn to ask if she were offended. She had made herself believe she was, for notwithstanding Nina's assertion that "Arthur was good," she thought it a sin and a shame for him to keep any thing but a raving lunatic hidden away up stairs; and after a moment's hesitation she answered, "Yes, I am offended, and I don't mean to come here any more, unless—-"
"Edith," and the tone of Arthur's voice was fraught with pain so exquisite that Edith paused and looked into his face, where various emotions were plainly visible. Love, fear, remorse, apprehension, all were blended together in the look he fixed upon her. "You won't leave me," he said. "Any thing but that. Tell me my error, and how I can atone."
Edith was about to speak, when, on the stairs without,—the stairs leading from the den—there was the patter of little feet, and a gentle, timid knock was heard upon the door.
"It's locked—go back;" and Arthur's voice had in it a tone of command.
"Mr. St. Claire," and Edith sprang from her chair, "I can unlock that door, and I will."
Like a block of marble Arthur stood while Edith opened the oak- paneled door. Another moment and Nina stood before her, as she stands now first before our readers.
Edith knew her in a moment from the resemblance to the daguerreotype seen more than eight years before, and as she now scanned her features it seemed to her they had scarcely changed at all. Arthur had said of her then that she was not quite sixteen, consequently she was now nearly twenty-five, but she did not look as old as Edith, so slight was her form, so delicate her limbs, and so childlike and simple the expression of her face. She was very, very fair, and Edith felt that never before had she looked upon a face so exquisitely beautiful. Her hair was of a reddish- yellow hue, and rippled in short silken rings all over her head, curling softly in her neck, but was not nearly as long as it had been in the picture. Alas, the murderous shears had more than once strayed roughly among those golden locks, to keep the little white, fat hands, now clasped so harmlessly together, from tearing them out with frantic violence. Edith thought of this and sighed, while her heart yearned toward the helpless young creature, who stood regarding her with a scrutinizing glance, as one studies a beautiful picture. The face was very white—indeed, it seemed as if it were long since the blood had visited the cheeks, which, nevertheless, were round and plump, as were the finely moulded arms, displayed to good advantage by the loose sleeves of the crimson cashmere wrapper. The eyes were deeply, darkly blue, and the strangely gleaming light which shone from them, betrayed at once the terrible truth that Nina was crazed.
It was a novel sight, those two young girls watching each other so intently, both so beautiful and yet so unlike—the one, tall, stately, and almost queen-like in her proportions, with dark, brilliant complexion; eyes of midnight blackness, and masses of raven hair, bound around her head in many a heavy braid—the other, fairy-like in size, with golden curls and soft blue eyes, which filled with tears at last as some undefinable emotion swept over her. In the rich, dark beauty of Edith's face there was a wonderful fascination, which riveted the crazy girl to the spot where she had stopped when first she crossed the threshold, and when at last, sinking upon the sofa, Edith extended her arms, as a mother to her child, poor little Nina went forward, and with a low, gasping sob, fell upon her bosom, weeping passionately, her whole frame trembling and her sobs so violent that Edith became alarmed, and tried by kisses and soft endearing words to soothe her grief and check the tears raining in torrents from her eyes.
"It's nice to cry. It takes the heavy pain away," and Nina made a gesture that Edith must not stop her, while Arthur, roused from his apathy, also said,