"Well, then, Cherry," Arthur continued, "take off that bonnet, and open the blind behind me. Then bring that stool and sit where I can look at you while you rub my head with your hands. It aches enough to split, and I believe the bumble-bees are swarming; but they can't get out, and if they could, they are the white-faced kind, which never sting."
Jerry knew all about white-faced bumble-bees, for Harold had caught them for her, and with this fear removed, she did as Arthur bade her, and was soon seated at his side, rubbing his forehead, where the blue veins were standing out full and round, and smoothing his hair caressingly with her fingers, which seemed to have in them a healing power, for the pain and heat grew less under their touch, and, after awhile, Arthur fell into a quiet sleep.
When he awoke, after half an hour or so, it was with a delicious sense of rest and freedom from pain. Jerry had dropped the shades to shut out the sunlight, and was walking on tiptoe round the room, arranging the furniture and talking to herself in whispers, as she usually did when playing alone.
"Jerry," Arthur said to her, and she was at his side in a moment, "you are an enchantress. The ache is all gone from my head, charmed away by your hands. Now, come and sit by me again, and tell me all you know of yourself before Harold found you. Where did you live? What was your mother's name? Try and recall all you can."
Jerry, however, could tell him very little besides the Tramp House, and the carpet-bag, and Harold letting her fall in the snow. Of the cold and the suffering she could recall nothing, or of the journey from New York in the cars. She did remember something about the ship, and her mother's seasickness, but where she lived before she went to the ship, she could not tell. It was a big town, she thought, and there was music there, and a garden, and somebody sick. That was all. Everything else was gone entirely, except now and then when vague glimpses of something in the past bewildered and perplexed her. Her pantomime of the dying woman and the child had not been repeated for more than a year, for now her acting always took the form of the tragedy in the Tramp House, with herself in the carpet-bag, and a lay figure dead beside her. But gradually, as Arthur questioned her, the old memories began to come back and shape themselves in her mind, and she said at last:
"It was like this—play you was a sick lady and I was your nurse. I can't think of her name. I guess I'll call her Manny. And there must be a baby; that's me, only I can't think of my name."
"Call it Jerry, then," Arthur suggested, both interested and amused, though he did not quite understand what she meant.
But he was passive in her hands, and submitted to have a big handkerchief put over his head for a cap, and to hold on his arm the baby she improvised from a sofa-cushion of costly plush, around which she arranged as a dress an expensive table-spread, tied with the rich cord and tassel of his dressing-gown.
"You must cry a great deal," she said, "and pray a great deal, and kiss the baby a great deal, and I must scold you some for crying so much, and shake the baby some in the kitchen for making a noise, because, you know, the baby can walk and talk, and is me, only I can't be both at a time."
She was not very clear in her explanations, but Arthur began to have a dim perception of her meaning, and did what she bade him do, and rather enjoyed having his face and hands washed with a wet rag, and his hair brushed and turled, as she called it, even though the fingers which turled it sometimes made suspicious journeys to her mouth. He cried when she told him to cry; he coughed when she told him to cough; he kissed the baby when she told him to kiss it; he took medicine from the tin pail in the form of the cherry juice left there, and did not have to make believe that it sickened him, as she said he must, for that was a reality. But when she told him he must die, but pray first, he demurred, and asked what he should say. Jerry hesitated a little. She knew that her prayers were, "Our Father," and "Now I lay me," but it seemed to her that a person dying should say something else, and at last she replied: