"The bell will ring in ten minutes. Come, child!"
"Stay where you are, Hagar. When the bell rings, she shall come."
The elder Mrs. Ashendyne's voice deepened. "It is hard for me to see the mind of my son's child perverted, filled with all manner of foolish queries and rebellions."
"Your son's child," answered Maria from among her pillows, "happens to be also my child. His family has just had her for a solid week. Now, pray let me have her for an hour." Her eyes, dark and large in her thin, young face, narrowed until the lashes met. "I am perfectly aware of how deplorable is the whole situation. If I were wiser and stronger and more heroic, I suppose I should break through it. I suppose I should go away with Hagar. I suppose I should learn to work. I suppose I should somehow keep us both. I suppose I might live again. I suppose I might ... even ... get a divorce—"
Her mother-in-law towered. "The Bishop shall talk to you the first thing in the morning—"
CHAPTER III
THE DESCENT OF MAN
A pool of June sunlight lay on the library floor. It made a veritable Pool of Siloam, with all around a brown, bank-like duskiness. The room was by no means book-lined, but there were four tall mahogany cases, one against each wall, well filled for the most part with mellow calf. Flanking each case hung Ashendyne portraits, in oval, very old gilt frames. Beneath three of these were fixed silhouettes of Revolutionary Ashendynes; beneath the others, war photographs, cartes de visite, a dozen in one frame. There was a mahogany escritoire and mahogany chairs and a mahogany table, and, before the fireplace, a fire-screen done in cross-stitch by a colonial Ashendyne. The curtains were down for the summer, and the dark, polished floor was bare. The room was large, and there presided a pleasant sense of unencumbered space and coolness.
In the parlour, across the hall, Miss Serena had been allowed full power. Here there was a crocheted macramé lambrequin across the mantel-shelf, and a plush table-scarf worked with chenille, and fine thread tidies for the chairs, and a green-and-white worsted "water-lily" mat for the lamp, and embroidery on the piano cover. Here were pelargoniums and azaleas painted on porcelain placques, and a painted screen—gladioli and calla lilies,—and autumn leaves mounted on the top of a small table, and a gilded milking stool, and gilded cat-tails in decalcomania jars. But the Colonel had barred off the library. "Embroider petticoat-world to the top of your bent—but don't embroider books!"