The three gentlefolk and their mad conductress gazed from out the shadow and at a safe distance. Sir Charles Carew, a man of taste, felt strong artistic pleasure in the Rembrandtesque scene before him—the leaping light, the weird shadows, resolving themselves into figures posed with savage freedom, the dancing satyr, the sombre pines above, and, beyond the pines, the stillness of the stars. Betty drew a little shuddering breath, and her hand went to clasp Patricia's. The latter was looking steadily upward at the slender crescent moon.
"Do not look, Betty," she said quietly. "I do not. It is a horror to me—a horror. I am going back," she said, turning.
But she had reckoned without Margery, who caught her by the arm. "Come," she said imperiously. "Come and see the breaking heart!" Patricia hesitated, then yielded to curiosity and the insistent pressure of the skeleton fingers.
The cabins nearest them were deserted, their occupants having joined themselves to the groups further down the lane where the firelight beat strongest and the torches were more numerous. With no more sound than a moth would make, flitting through the dusk, the mad woman led them to the outermost of these cabins. Within five paces of the door she stopped and pointed a long forefinger.
"The breaking heart!" she said in a triumphant whisper.
A man lay, face downwards, in the coarse and scanty grass. One arm was bent beneath his forehead, the other was outstretched, the hand clenched. It was the attitude of one who has flung himself down in dumb, despairing misery. As they looked, he gave a long gasping sob that shook his whole frame, then lay quiet.
A burst of revelry came down the lane. The man raised his head impatiently, then let it drop again upon his arm.
Patricia turned and walked quickly back the way they had come. Betty and Sir Charles followed her; Margery, her whim gratified, had vanished into the darkness of the pines.
No one spoke until they were again amidst the wet and rustling corn. Then said Betty with tears in her voice, "O Patricia, darling! there is so much misery in the world, fair and peaceful as it looks to-night. That poor man!"
"That 'poor man,' Betty," answered Patricia in a hard voice, "is a criminal, a felon, guilty of some dreadful, sordid thing, a gaol-bird reclaimed from the gallows and sent here to pollute the air we breathe."