"To the Breaking Heart!" exclaimed her auditors.

Margery nodded. "Yes, the Breaking Heart. You call him Landless."

The Muggletonian sat up. "What dost thou mean, wretched woman! fit descendant of the mother of all evil?"

Margery, offended by his tone, only pursed up her lips and looked wise.

"What did the master have done to Landless, Margery?" asked the youth.

Margery threw her worn figure into a singular posture. Standing perfectly straight, she raised her arms from her sides and spread them stiffly out, the hands turned inward in a peculiar fashion. Then, still with extended arms, she swayed slightly forward until she appeared to lean against, or to be fastened to, some support. Next she threw her head back and to one side, so that her face might be seen in three quarter over her shoulder. Her mobile features wreathed themselves in an expression of pain and rage. Her brows drew downward, her thin lips curled themselves away from the gleaming teeth, and, at intervals of half a minute or more, her eyelids quivered, she shuddered, and her whole frame appeared to shrink together.

The pantomime was too expressive to be misunderstood by men each of whom had probably his own reasons for recognizing some one or all of its features. The convict broke into a yelling laugh, in which he was joined, though in a subdued and sinister fashion, by Luiz Sebastian. The rustics looked at each other with slow grins of comprehension, and the blue-eyed youth uttered a long shrill whistle. The great letter upon the cheek of the Muggletonian turned a deeper red, and his eyes burned. The youth was curious.

"Tell us all about it, Margery," he said, coaxingly, "and when the millons are ripe, I 'll steal you one every night."

Margery was nothing loth. She had attained the reputation of an accomplished raconteuse, and she was proud of it. Her crazed imagination peopled the forest with weird uncanny things, and fearful tales she told of fays and bugaboos, of spectres and awful voices speaking from out the dank stillness of twilight hollows. Often she sent quaking to their pallets men who would have heard the war-whoop with scarcely quickened pulses. And she could tell of every-day domestic happenings as well as of the doings of the powers of darkness.

Her audience listened greedily to the instance of plantation economy which she proceeded to relate.