They turned, struck into a narrow way that led downward to the sea, and came upon the waterside in the red sunset light. A fishwife crossed their path. “The Moon Tavern? Yonder, beyond the nets.” They came to it in the dusk, its sign a great, full moon with a man, a dog, and a thornbush on the golden ground. As it loomed before them, Gervaise stepped from the shadow of a heap of timber. “Greeting, Giles and John! George Dragon and I have been here this hour.—And yonder lies the Silver Queen.”
CHAPTER XXV
THE SILVER QUEEN
The Silver Queen, a ship neither great nor small, high-pooped, white-sailed, her figurehead a crowned woman, her name good for seaworthiness, ploughed the green water. Her sailors and the adventurers for new lands whom she carried watched their own island sink from view, watched the European coast, saw it also fade, saw only the boundless, restless main. The ship drove south, for the Indies’ passage.
Mariners and all, she carried a hundred and sixty souls. Captain Hugh Bard was the captain—a doughty son of the sea. Her sailors were fair average, tough of body, in mind some brutal, some weak, some good and true men. She was carrying colonists and adventurers to the New World, accessions to the lately established settlement at Jamestown. Among these men were sober-minded Englishmen, reputable and not ill-to-do, men who had warred or traded with credit in various parts of the world, who had perhaps joined in earlier ventures to American shores. These carried with them labourers, indentured servants, perhaps a penniless kinsman or two, discontented at home. The mass of those upon the Silver Queen were followers and indentured men. But there were likewise adventurers going singly, free lances, with enough or just enough to pay passage, men all for change and roving, or dare-devil men, or men with wild fancies, hopes, ambitions, intents, or men merely leaving worst things for a conjectural better. Also there were a few who thought to practise their professions in the new settlement, a barber and perfumer, a musician, a teacher, a lawyer, and a divine. It was an average swarm from old England, in the early years of colonization.
Aboard was but one woman, and she was not known as a woman. She was called John Allen, and went as the still-mouthed and loneliness-loving brother of the chirurgeon Giles Allen. In the first days the latter had stated to a group, from which John Allen had risen and gone away, that his brother was but now recovering from a melancholy brought about by the death of one whom he had loved. Now those aboard were not beasts, but men with, in the main, answering hearts to lovers’ joys and woes. For the most part not over-observant or critical, and with their own matters much in mind, they took the statement as it was given them and allowed to John Allen silence and solitude—such silence and solitude as were obtainable. Silence and solitude were all around upon the great sea, but the ship was a hive adrift.
Captain Hugh Bard was under obligations to Sir Richard. Clients of Sir Richard—nothing known but that they were folk whom that knight was willing to help from England—were sure of his blunt good offices. Moreover, the ship’s doctor fell ill, whereupon Giles Allen offered his services, there being much sickness among the colonists. The captain nodded, found that he had aboard a skilled physician, and took a liking to the man himself. Aderhold asked no favours for himself, and none that might arouse suspicion for her who passed as his brother. But yet, with a refinement of skill, he managed to obtain for her what she wanted in that throng of men—a little space, a little distance.
She never added difficulty to their situation. She was no fine lady. She was yeoman born and bred, courageous and sane. It was yet the evening glow of the strong Elizabethan age. Men and women were more frank and free in one another’s company than grew to be the case in a later period. The wife or mistress, sometimes the sister, in the dress of page or squire, fellow traveller, attendant at court, sometimes fellow soldier, made a commonplace of the age’s stage-play or romantic tale. If the masquerade occurred oftener in poem or play than in fact, yet in the last-named, too, it occurred.