In fact, from the woods in front of us, and not a bowshot away, rang out a powerful voice:—
“'In the merry month of May,
In a morn by break of day,
With a troop of damsels playing
Forth I went, forsooth, a-maying;'” and presently, the trees thinning in front of us, we came upon a little open glade and upon the singer. He lay on his back, on the soft turf beneath an oak, with his hands clasped behind his head and his eyes upturned to the blue sky showing between leaf and branch. On one knee crossed above the other sat a squirrel with a nut in its paws, and half a dozen others scampered here and there over his great body, like so many frolicsome kittens. At a little distance grazed an old horse, gray and gaunt, springhalt and spavined, with ribs like Death's own. Its saddle and bridle adorned a limb of the oak.
The song went cheerfully on:—
“'Much ado there was, God wot:
would love and she would not;
said, “Never man was true.”
He said, “None was false to you."'”
“Give you good-day, reverend sir!” I called. “Art conning next Sunday's hymn?”
Nothing abashed, Master Jeremy Sparrow gently shook off the squirrels, and getting to his feet advanced to meet us.
“A toy,” he declared, with a wave of his hand, “a trifle, a silly old song that came into my mind unawares, the leaves being so green and the sky so blue. Had you come a little earlier or a little later, you would have heard the ninetieth psalm. Give you good-day madam. I must have sung for that the very queen of May was coming by.”
“Art on your way to Jamestown?” I demanded. “Come ride with us. Diccon, saddle his reverence's horse.”
“Saddle him an thou wilt, friend,” said Master Sparrow, “for he and I have idled long enough, but I fear I cannot keep pace with this fair company. I and the horse are footing it together.”