What absolutely changed the men was the three years military service. After knocking about in garrison towns, living with a great many people always, having all sorts of amusements easily at hand and a certain independence, once the service of the day was over, they found the dull regular routine of the farm very irksome. In the summer it was well enough—harvest time was gay, everyone in the fields, but in the short, cold winter days, with the frozen ground making all the work doubly hard, just enough food and no distraction of any kind but a pipe in the kitchen after supper, the young men grew terribly restive and discontented. Very few of them remain, and the old traditions handed down from father to son for three or four generations are disappearing. After dinner we had music and some charming recitations by Mme. Thénard. Her first one was a comic monologue which always had the wildest success in London, "Je suis veuve," beginning it with a ringing peal of laughter which was curiously contagious—everyone in the room joined in. I like her better in some of her serious things. When she said "le bon gite" and "le petit clairon," by Paul Déroulède, in her beautiful deep voice, I had a decided choke in my throat.
We often had music at the château. Many of our artist friends came down—glad to have two or three days rest in the quiet old house. We had an amusing experience once with the young organist from La Ferté—almost turned his hair gray. He had taught himself entirely and managed his old organ very well. He had heard vaguely of Wagner and we had always promised him we would try and play some of his music with two pianos—eight hands. Four hands are really not enough for such complicated music. Mlle. Dubois, premier prix du conservatoire—a beautiful musician—was staying with us one year and we arranged a concert for one evening, asking the organist to come to dinner. The poor man was rather terrified at dining at the château—had evidently taken great pains with his dress (a bright pink satin cravat was rather striking) and thanked the butler most gratefully every time he handed him a dish—"Je vous remercie beaucoup, Monsieur." We had our two grand pianos and were going to play the overture of Tannhäuser, one of the simplest and most melodious of Wagner's compositions. The performers were Francis and I, Mlle. Dubois and the organist. It was a little difficult to arrange who he should play with. He was very nervous at the idea of playing with Mlle. Dubois—rather frightened of me and in absolute terror at the idea of playing before W. Finally it was decided that he and I should take the second piano—he playing the bass. It was really funny to see him; his eyes were fixed on the music and he counted audibly and breathlessly all the time, and I heard him muttering occasionally to himself, "Non ce n'est pas possible," "Non ce n'est pas cela."
I must say that the Walpurgis Night for a person playing at sight and unaccustomed to Wagner's music is an ordeal—however, he acquitted himself extremely well and we got through our performance triumphantly, but great drops of perspiration were on his forehead. W. was very nice to him and Mlle. Dubois quite charming, encouraging him very much. Still I don't think his evening at the château was one of unmixed pleasure, and I am sure he was glad to have that overture behind him.
We saw our neighbours very rarely; occasionally some men came to breakfast. The sous-préfet, one or two of the big farmers or some local swells who wanted to talk politics to W. One frequent visitor was an architect from Château-Thierry, who had built W.'s farm. He was an enormous man, very stout and red, always attired in shiny black broadcloth. He was a very shrewd specimen, very well up in all that went on in the country and very useful to W. He had a fine appetite, always tucking his napkin carefully under his chin when he sat down to table. He talked a great deal one day about his son, who had a good tenor voice and had just got an engagement at the Opéra Comique. Said he would like us to hear him sing—might he bring him some day to breakfast?
He came back two or three weeks later with the young man, who was a great improvement upon his father. The Paris boulevards and the coulisses of the opera had quite modified the young provincial. He talked a good deal at table, was naturally much pleased to have got into the Opéra Comique. As it is a "théâtre subventionné" (government theatre), he considered himself a sort of official functionary. After breakfast he asked us if we would like to hear him sing—sat down to the piano, accompanying himself very simply and easily and sang extremely well. I was much astonished and Mme. A. was delighted, especially when he sang some old-fashioned songs from the "Dame Blanche" and the "Domino Noir." The old father was enchanted, a broad smile on his face. He confided to W. that he had hoped his son would walk in his footsteps and content himself with a modest position as architect in the country, but after six months in Paris where he had sent him to learn his profession his ideas had completely changed and he would not hear of vegetating in the country.
[Illustration: A visit at the château.]
We had, too, sometimes a doctor from one of the neighbouring villages. He had married an Englishwoman. They had a nice house and garden and he often had English boys over in the summer to learn French. He brought them occasionally to us for tea and tennis, begging us not to speak English to them. But that was rather difficult, with the English terms at tennis—horses and dogs always spoken to in English. One could not speak French to a fox-terrier bred in Oxfordshire.
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Another pretty, simple fête was the Blessing of the Flag given by Francis to the Pompiers of Montigny, our little village in the woods just above the château. My husband had always promised them a flag, but he died before their society was formed. Three years after his death, when we were living in the small place which now belongs to my son, a deputation arrived from Montigny one Sunday afternoon to ask if Francis would give the flag his father had promised. This of course he was delighted to do. He knew all the men and they all knew him—had seen him since he was a baby—all of them had worked in his father's woods, and two or three of the older ones had taken care of him and his gun when he first began to shoot.
His father gave him a gun when he was twelve years old—had it made at Purdy's in London, a reduced model of his own. No one is allowed to shoot in France till he is sixteen years old and then must have his "permis de chasse" duly signed by the Mayor. So it was rather difficult to get Francis and his gun into the woods—once there they were safe. Nothing would have induced him to let any of the men carry it. He walked beside the keeper with his gun over his shoulder just like him; they did meet two gendarmes one day and quickly the gun was given to some one else. I think the gendarmes quite realised the situation (Labbey, the keeper, said they knew all about it), but they were friends of the family, W.'s appointment, probably, and asked no questions.