It seems so strange to be back here, dear, after twenty-four years, and to find Rome so changed, so unchanged. The new quarter, an absolutely new modern city, might be Wiesbaden, or Neuilly, or any cheerful resort of retired business men who build hideous villas with all sorts of excrescences—busts, vases, and plaques of bright-coloured majolica—and the old city with the dirty little winding streets going toward St. Peter's exactly the same; almost the same little ragged, black-eyed children playing in the gutters.

We had a most comfortable journey down. Hardly any one in the sleeping-car but ourselves, so we all had plenty of room. It was a bright, beautiful morning when we got to Modane—the mountains covered with snow, and the fresh keen wind blowing straight from the glaciers was enchanting after a night in the sleeping-car. They are frightfully overheated. I had some difficulty in persuading the attendant to open my window for the night; however, as I was alone in my compartment, he finally agreed, merely saying he would come and shut it when we passed through the great tunnel. We dined at the buffet at Genoa, and it didn't seem natural not to ask for the Alassio train. The station was crowded, the Roman train too—they put on extra carriages. We got to Rome about 9.30. I had been ready since 6.30, eagerly watching to get a glimpse of St. Peter's. I had visions of Cività Vecchia and running along by the sea in the early morning.

I was quite awake, but I didn't see St. Peter's until we were quite near Rome. We ran through long, level stretches of Campagna, with every now and then a great square building that had been probably a mediæval castle, but was now a farm—sheep and cattle wandering out of the old gateway, and those splendid big white oxen that one sees all over the Campagna—some shepherds' huts with their pointed thatched roofs dotted about, but nothing very picturesque or striking. We passed close to San Paolo Fuori le Mura, with the Testaccio quite near. We paid ourselves compliments when we arrived at the station for having made our long journey so easily and pleasantly. No one was tired and no one was bored. Between us all (we were four women) we had plenty of provisions and Bessie[30] and Mme. de Bailleul were most successful with their afternoon tea, with delicious American cake, that Bessie had brought over in the steamer.

After all, Josephine[31] finds she has room for me and my maid, which of course is infinitely pleasanter for me than being at the hotel. Her house is charming—not one of the old palaces, but plenty of room and thoroughly Italian. The large red salon I delight in; it couldn't exist anywhere else but in Rome, with its red silk walls, heavy gilt furniture, pictures, and curious bits of old carving and majolica. It opens into a delightful music-room with fine frescoes on the walls (a beautiful bit of colour), and beyond that there is a small salon where we usually sit. She has a picture there of her husband, Don Emanuele Ruspoli (late syndic of Rome), which has rather taken possession of me. It is such a handsome, spirited face, energetic and rather imperious—he looks a born ruler of men, and I believe he was. They say Rome was never so well governed as in his time. He was one of the first of the young Roman nobles who emancipated themselves from the papal rule. As quite a youth he ran away from college and entered the Italian army as a simple soldier, winning his grade as captain on the battle-field. He was a loyal and devoted servant of the House of Savoy, and took a prominent part in all the events which ended in proclaiming Victor Emanuel King of Italy, with Rome his capital.

This quarter, Piazza Barberini, is quite new to me. It used to seem rather far off in the old days when we came to see the Storys in the Barberini Palace, but now it is quite central. The great new street—Via Veneto—runs straight away from the Piazza, past the Church of the Cappucini—you will remember the vaults with all the dead monks standing about—the Palace of the Queen Mother, and various large hotels, to Porta Pinciana. Just the other side of the road is the new gate opening into the Villa Borghese. I rather lost myself there the first day I prowled about alone. It was raining, but I wanted some air, and turned into the Via Veneto, which is broad and clean. I walked quite to the end, and then came to the Porta Pinciana, crossed the road, and found myself in a beautiful villa. I didn't come upon any special landmark until I got near the Museum, which, of course, looked quite familiar. However, I was bewildered and hailed a passing groom to inquire where I was, and even when he told me could scarcely believe it. I had never gone into the Villa Borghese except by the Piazza del Popolo. They have made extraordinary changes since the Government has bought it—opened out new roads and paths, planted quantities of trees and flowers, and cleaned up and trimmed in every direction. It will be a splendid promenade in the heart of the city, but no longer the old Villa Borghese we used to know, with ragged, unkempt corners, and little paths in out-of-the-way places, so choked up with weeds and long grass that one could hardly get through.

I haven't quite got my bearings yet, and for the first three or four mornings I took myself down to the Piazza di Spagna, and started from there. There, too, there are changes—new houses and shops (I was glad to see old Spithoever in the same place) and a decided look of business and modern life. There were not nearly so many people doing nothing, lounging about, leaning on the "barca," or playing mora on the Spanish Steps. All the botte were still standing in the middle of the street, the coachmen smiling, cracking their whips, and making frantic little dashes across the piazza whenever they saw an unwary stranger who might want a cab.

The Spanish Steps looked beautiful, glowing with colour—pink, yellow, and that soft grey tint that the Roman stones take in the sunlight. All the lower steps are covered with flower stalls (they are not allowed any longer scattered all over the piazza), and most picturesque they looked—daffodils, mimosa, and great bunches of peach-blossoms which were very effective. There were very few models in costume sitting about; a few children playing some sort of game with stones, which they interrupted to run after the forestieri and ask for a "piccolo soldo" (a penny), and one or two old men with long white beards—might have done for models of the apostles or Joseph in the flight into Egypt—wrapped in their wonderful long green cloaks, sitting in the sun. There is one novelty—an "ascenseur." I haven't been in it yet, but I shall try it some day. One must get accustomed to many changes in the Rome of to-day.

I recognised some of the houses at the top of the steps—the corner one between Vias Sistina and Gregoriana, where the Rodmans used to live one year, and where we have dined so often, sitting on the round balcony and seeing the moon rise over the Pincio.

I walked home the other day by the Via Sistina to the Piazza Barberini, and that part seemed to me absolutely unchanged. The same little open mosaic shops, with the workmen dressed in white working at the door—almost in the street. In one shop they were just finishing a table, putting in countless bits of coloured marble (some of them very small). It was exactly like the one we brought from Rome many years ago, which stands now in Francis's smoking-room. There was of course the inevitable jeweller's shop, with crosses and brooches of dull yellow Roman gold and mosaic, and silk shops with Roman silk scarfs, and a sort of coarse lace which I have seen everywhere. In the middle of the street a miserable wrinkled old woman, her face mahogany colour, attired in a red skirt with a green handkerchief on her head, was skirmishing with a band of dirty little children, who had apparently upset her basket of roast chestnuts, and were making off with as many as they could find, pursued by her shrill cries and "maledizioni."

We went out in the open carriage yesterday, and drove all around Rome leaving cards—finished with a turn in the Villa Borghese and Pincio. It was too late for the Villa—almost every one had gone, and one felt the chill strike one on going into the thick shade after coming out of the bright sun in the Piazza del Popolo. We crossed Queen Margherita at the gate. She looked so handsome—the black is very becoming and threw out well her fair hair and skin. She was driving in a handsome carriage—the servants in mourning. One lady was with her—another carriage and two cyclists following. All the people bowed and looked so pleased to see her, and her bow and smile of acknowledgment were charming.