It was beautiful this morning, so I went for a turn in the Villa Borghese, which is a paradise these lovely spring days; only the getting to it is disagreeable. It is a hot, glaring walk up the Via Veneto, not an atom of shade anywhere until one gets well inside the grounds. I was walking about on the grass quite leisurely, and very distraite, not noticing any one, when I heard my name. I turned and saw two ladies making signs to me from the other side of the road, so I squeezed through a very narrow opening in the fence, and found myself with the grand duchess and her lady-in-waiting, who were taking their morning walk. We strolled on together. She asked me if I always came to the villa in the morning. I said "No," I often went shopping in the morning, and told her about my photographer of the Via Sistina and the difficulty of getting a photograph of Antonelli. She instantly said: "Oh, but I can help you there, if you really would like a photograph of Antonelli. I have a fine portrait of him that was painted for my beau-père. It is in the palace at Weimar, and I will give orders at once for the court photographer to go and copy it." I was much pleased, as I do want the photograph and was rather in despair at not having found one. It seemed incredible to me, until I had asked a little, that there should be nothing of Antonelli. After all, it isn't very long since he played a great part here, so it was a most fortunate rencontre for me this morning. We parted at the gate—I walked home and she got into her carriage.
Friday, April 7th.
We made a pleasant excursion yesterday to San Gregorio, the Brancaccios' fine place beyond Tivoli. The day unluckily was grey, looked as if it would pour every minute, we had none of the lovely lights and shades that make the Campagna and the hills so beautiful. We went out in Camillo Ruspoli's automobile, a Fiat, Italian make, strong and fast. The road is not particularly interesting until one begins the steep ascent to Tivoli; then looking back the view of course was beautiful. We didn't have much time to admire it, for the auto galloped up the steep hill as if it were nothing. After Tivoli the road goes straight up into the Sabine hills, winding and narrow, with very sharp corners, which we swung round quite easily certainly, as Ruspoli managed his carriage perfectly—but still the road was narrow and steep—hills rolling away on one side, a precipice and deep valley on the other, no wall nor parapet of any description, and it was absolutely lonely. If anything had broken, or an animal crossed our road suddenly, and made us swerve, I don't think anything could have saved us.
The castle looked very imposing as we came up to it, an enormous mass, the village built into the castle walls, standing high on the top of a hill. The flag was flying, all the population, wildly excited (another automobile had arrived before us), were massed at the gates, the drawbridge down, and Bessie and her husband waiting for us, also the Bishops who had come in their auto. We took off some of our coats, but not all, as the rooms are so enormous that it was cold, notwithstanding a great fire in the big hall. We had an hour before breakfast, so they showed us the house which is magnificent, with the most divine views on all sides from all the balconies, corner windows, etc. It is beautifully furnished, perfectly comfortable. I couldn't begin to describe it—one couldn't take it all in in a flying visit. There are several complete apartments with dressing-rooms, bath-rooms, etc., so curious to see so much modern comfort and luxury inside this grim old castle on the top of a rock far back in the Sabine hills.
It was very cold—I kept on my thick coat. There are balconies and little bridges connecting towers, high terraces, staircases in every direction—quite bewildering. We breakfasted in the large dining hall, and it was pleasant to see the enormous logs, and to hear the crackling and spluttering of a big fire. There are some fine Brancaccio portraits, in the curious old-world court dress of the Neapolitan ladies of the last century. They gave us an excellent breakfast, with a turkey bred and fattened at the olive farm (it seems these olive-fed turkeys are their specialty). We did some more sight-seeing after breakfast, bachelor apartments principally, such curious old niches and steep, narrow little staircases (we could only pass single file) cut in the thick walls, and then started off to drive and walk in the park. They had two nice little two-wheeled carts, with stout ponies, just the thing for rough wood driving. The park is charming—long green alleys with beautiful views—the country all around rather stony and barren, no shade as there are few trees. We hadn't time to go to the olive farm, which I was sorry for, as the people were all working there picking the olives. I should have liked to see the women with their bright skirts and corsets making a warm bit of colour in the midst of the grey-green olive groves.
We started home rather sooner than we had intended, as the sky was getting blacker, and a few drops already falling. We were in an open automobile, and should have been half drowned going home if it had begun to rain hard. We went back at a frightful pace. If I found the coming up terrifying you can imagine what the descent was, flying around the corners, and seeing the steep road zigzagging far down below us. I heard smothered exclamations ("Oh, mon petit Camillo, pas si vite") occasionally from Bessie, and I think Josephine was saying her prayers—however we did get home without any accident or "panne" of any kind, and Ruspoli assured us he had crawled out of consideration for us.
This morning Josephine and I have been out to the new Benedictine Monastery of St. Anselmo, which stands high on a hill overlooking the Tiber. She had business with the Director, so I went into the chapel which is fine (quite modern with splendid marbles) and walked about a little in the garden (they wouldn't let me go far). We went afterward into the Villa Malta. There is an extraordinary view through the key-hole of the door—one looks straight down a long, narrow avenue with high trees on each side, to St. Peter's—a great blue dome at the end. We couldn't make out at first what the old woman meant who opened the door for us, she wouldn't let us come in, but pointed to the key-hole, mumbling something we couldn't understand. At last we heard "veduta" (view), and divined what she wanted us to do. It was most curious. The gardens are lovely still, green, cool. We went over the house, but there is nothing particularly interesting—portraits of all the "Grands Maîtres de l'Ordre de Malte." It was so lovely that we didn't want to come home, so we drove out as far at St. Paul's Fuori le Mura, and walked around the church to the front where they are making a splendid portico—all marble and mosaic. I should have liked it better without the mosaic—merely the fine granite and marble columns.
Tuesday, April 12th.
Yesterday we had a splendid ceremony at St. Peter's, the 13th anniversary of Pope Gregorio Magno. We started early, Josephine and I leaving the house together at 8, dressed in the regulation black dress and veil. I had on a short cloth skirt, which I regretted afterward, but as we had asked for no particular places, and were going to take our chance in the church with all the ordinary sight-seers, I hadn't made a very élégante toilette. We got along pretty well, though there were streams of carriages and people all going in the same direction, until we got near the St. Angelo bridge—there we took the file, hardly advanced at all, and met quantities of empty carriages coming back. I fancy most people started much earlier than we did. The piazza was fairly crowded (but not the compact mass we used to see in the old days when the Pope gave the Easter blessing from the balcony), all the Colonnade guarded by Italian troops, carabinieri and bersaglieri. We went round to the Sagrestia, and found our way easily into the church, and into our Tribune A, but we might just as well have remained at home, if we had wanted to see anything. We were far back, low, and could have just seen perhaps the top of the Pope's tiara when he was carried in his high chair in procession—however it was our own fault, as we had asked too late for our tickets. I was interested all the same seeing the different people come in (the church was very full). We sat there some little time, rather disgusted au fond at having such bad places, particularly when we saw some people we knew being escorted with much pomp past our obscure little tribune, toward the centre of the church. Finally one of the camerieri segreti in his uniform—black velvet, ruff and chain—recognised Josephine, and insisted that she should come with him and he would give her a proper place. She rather demurred at leaving me, but I urged her going, as I was sure she would find a seat for me somewhere. In a few minutes the gentleman returned, and put me first in the same tribune with her, a little farther back, but eventually conducted me to the Diplomatic Tribune, d'Antas, the Doyen, Portuguese Ambassador to the Quirinal, and an old colleague of ours in London, having said he would gladly give a place in their box to an ancienne collègue. That was the moment in which I regretted my short skirt. I had to cross the red carpet between rows of gardes-nobles and gala uniforms of all kinds and colours, and I was quite conscious that my dress was not up to the mark, a sentiment which gathered strength as I got to the Diplomatic Tribune, and saw all the ladies beautifully dressed, with long lace and satin dresses, pearl necklaces, and their veils fastened with diamond stars. However, it was a momentary ennui, and I could only hope nobody looked at me. Wasn't it silly of me to wear a plain little skirt—I can't think why I did it. Almost all the bishops and sommités of the clerical world were already assembled and walking about in the great space at the back of the altar. Just opposite us was the Tribune of the patriciat Romain. All the tribunes and columns were covered with red and gold draperies. A detachment of gardes-nobles, splendid in their red coats, white culottes and white plumes, surrounded the altar. There were two silver thrones for the Pope, one at one side of the church where he sat first, directly opposite to us, another quite at the end of the long nave behind the high altar. The entrance of the cardinals was very effective. They all wore white cloaks trimmed with silver, and silver mitres, each one accompanied by an attendant priest, who helped them take off and put on their mitres, which they did several times during the ceremony. The costumes were splendid, some high prelates, I suppose, in red skirts with splendid old lace; some in white and gold brocaded cloaks, also grey fur cloaks; and an Eastern bishop with a long beard, in purple flowered robes, a pink sash worn like a grand cordon over his shoulder, and purple mitre. It was a gorgeous effect of colour, showing all the more between the rows of tribunes where every one was in black.
We divined (as we were too far back to see) when the Pope's cortège entered the church. There was no sound—a curious silence—except the trumpets which preceded the cortège (they played a "Marcia pontificale," they told me). At last we saw the "sedia gestatoria" with the peacock fans appearing, and the Pope himself held high over the heads of the crowd (it seems he hates the sedia and hoped until the last moment not to be obliged to use it, but it is the tradition of St. Peter's, and really the only way for the people to see him). We saw him quite distinctly. He looked pale certainly, and a little tired, even before the ceremony began, but that may have been the effect of the swaying motion of the chair. There was the same silence when he was taken out of his chair and walked to the throne, not even the subdued hum of a great crowd. There was a little group of officiating priests and cardinals on the dais surrounding the throne. The Pope wore a long soutane of fine white cloth, white shoes, a splendid mantle of white and gold brocade, and a gold mitre with precious stones, principally pearls. He began his mass at once, a bishop holding the big book open before him, a priest on each side with a lighted taper. His voice sounded strong and clear, but I don't think it would carry very far. I was disappointed in the Gregorian chants. There were 1,500 voices, but they sounded meagre in that enormous space. The ceremony was very long. I couldn't follow it all, and at intervals couldn't see anything, as the priests stood often directly in front of the Pope. It was interesting to make out the various cardinals—Cardinal Vincenzo Vannutelli sat almost directly opposite to us, his tall figure standing out well. His brother Cardinal Serafino was always close to the Pope. I asked d'Antas to show me Cardinal Rampolla, who has a fine head and dignified carriage, rather a sad face. It was very impressive when the Pope left his throne by the altar and walked across the great space to the other one at the end of the nave. Every one knelt as he passed, the cardinals, bishops, gardes-nobles, everybody in the tribunes (at least everybody in the front row, I won't answer for the young ones behind, but they stood if they didn't kneel). There again the ceremonies were very long. When the Pope had taken his seat, many of the cardinals sat too on the steps of the dais. It was very picturesque, and the Eastern prelate stood out well from the group of white-robed Cardinals in his bright flowered garments. The Evangile was read in Latin and in Greek—a great many things and people were blessed, every one kneeling at the foot of the dais, and again when they got close up to the Pope; some quite prostrated themselves and kissed his slipper (a very nice white one) which they say he hates. Prince Orsini, premier assistant of the Saint Siège, officiated, and looked his part to perfection. He is tall, with a long white beard, and his short black velvet cloak, with a long white and silver mantle over it, was most effective. I don't know exactly what he did, but he appeared various times at the foot of the dais, knelt, and sometimes presented something on a platter. He was always accompanied (as were all who took any prominent part in the ceremony) by two priests, one on each side of him; sort of masters of ceremony who told him when to kneel, when to stand, etc. On the whole all the music disappointed me. The Gregorian chants were too thin; the Sistine choir didn't seem as full and fine as it used to be, and the silver trumpets absolutely trivial.