We arrived Thursday evening from Nuremberg in a pouring rain, which continued all day Friday, and detestable it was—streets crowded, everybody's umbrella running into one and catching in your veil (really twice in mine), mud everywhere, carriages scarce and dear. Our rooms are comfortable, Mary de Bunsen got them for us, a good-sized salon (with a piano), three bedrooms, and two maids' rooms. We have our early breakfast and supper, but dine out. Our experience at the Sonne was not very agreeable—a long, hot dining-room, quantities of hungry people and no servants to speak of. I was rather interested in my neighbour, a long, thin American, a Western man from Iowa I think, a school-master. He told me he had been saving for years to get money enough "to come across" (as he said) and hear "Parsifal." He had taught himself German in the evenings when his class was finished. The man was in such a quiver of delighted anticipation that it was a pleasure to see him. I told him I was sure he would not be disappointed, as Van Dyck was to sing "Parsifal." There were quite a number of priests at table, and one heard a little French, but the talk was principally German and English. We got up to the theatre easily enough, as carriages were going backward and forward all the time. The opera, "Parsifal," was beautifully given—Van Dyck as good as ever. I always think he stands so wonderfully in that scene where he has his back to the public and is absorbed by all he sees. He told me it was one of his most difficult parts. We had great difficulty in getting our coffee between the acts, and greater still in finding our carriage at the end. The crowd, and scramble, and mud were something awful.
Friday, August 6th.
We are leaving this afternoon, having had an enchanting week. Monday, Tuesday, Wednesday, Thursday, the whole Ring beautifully given. All the music is racing through my brain, from the lovely wave chorus of the swimming Rhine maidens to the magnificent end of the "Götterdämmerung" with all the different motifs worked in. They played the funeral march of "Siegfried" splendidly. It is a curious life one leads here. In the morning everybody walks about the town—the streets are narrow and it is amusing to be hailed from windows over small shops, grocers', bakers', watchmakers', by friends who are lodging there. About 3 a sort of restless excitement is in the air and one sees a long procession mounting the hill to the Opera House, everyone absorbed by the one idea. There are quantities of people we know. I didn't go and see Mdme. Wagner this time, as Henrietta and Pauline don't know her. Her evenings, the off night, are very interesting. One sees all the distinguished people of any kind at her house, all the artists, critics, etc. Of course no one ventures to criticise the music—merely the execution.
Meingeningen, Biebrich,
Sunday, August 15, 1897.
I have been here two or three days and am glad to have some quiet hours in the garden after the fatigue and excitement of Bayreuth. Four Wagner operas in succession is a strain on one's brain (not that I wouldn't do it straight over again this week if I could, but one wants the rest between). The crowd at Bayreuth the day we started was something wonderful, as of course everyone leaves after their série—there is nothing to do or see in the town. At Nuremberg, too, the scramble to get something to eat was funny, as there were two courants, all of us leaving Bayreuth, and just as many more arriving to take our places. There is always a crowd at the Nuremberg station, though they have multiplied little buffets outside the regular salles d'attente with coffee, beer, sausages, etc. We were late all along the line, and again there was such a crowd at the big Frankfort station that I could not get my trunks in time to take the first train for Mosbach—however, I arrived finally and was pleased to see Heinrich's broad, good-humoured face, and we drove at once to the house, where Mary was waiting for me with supper. We talked a little, but even that took us on to 2 o'clock, as it was after midnight when I arrived.
We have seen various people, and made expeditions to Wiesbaden. We wrote to the Empress Frederick's lady-in-waiting the other day (Countess Perponcher, whom Mary knows very well) to say that I was here near Cronberg, and would be so pleased if the Empress would receive me. The answer has just come, asking me to lunch at Cronberg on Wednesday. I am delighted to go—first to see the Empress, and then to see the house, which is filled with beautiful things. The Empress has travelled so much, and been so much in Italy, and has bought all sorts of treasures.
Tuesday, August 17, 1897.
Last night we went to the opera at Wiesbaden. It was "Hansel and Gretel," beautifully given—the orchestra very good and the angel scene with all the angels coming down a sort of ladder and circling round the sleeping children quite exquisite. It was a funny contrast to the London and Paris Opera. Mary and I started off about 5.30 in ordinary summer dress—foulard and voile. We went to the great confectioner at Wiesbaden for our tea and cakes, and a little before 7 walked across to the Opera. There we took off our hats and jackets, hung them up on a little peg, found our seats without any trouble, and had a very pleasant evening. The entr'actes are much shorter than in France, so that we were out a little before 10. The drive home was lovely on a bright starlight summer night; about three-quarters of an hour. It was such an easy, independent way of going, without the complications of a man to go with us, servant to take our cloaks, etc. I often think I should like to live a little in Germany, there is so much that I like in the country, and life seems so easy, though I believe German women wouldn't say so. They all seemed weighed down with cares, and apparently all with very small incomes. I wonder if you have read Hauptmann's "Versunkene Glocke"; I am fascinated by it. It was a little difficult reading at first on account of the sort of patois, but it is a wonderful book, so weird and full of sentiment. I will finish my letter after our day at Cronberg.
Thursday, August 19, 1897.
We had a charming day; I am so glad we went. We started a little after ten for Frankfort, where we had a wait of 20 minutes. I wore my black voile and a little black and jet toque in which I put a white aigrette, and white gloves, so as not to be too black. The trajet is short from Frankfort to Cronberg, about an hour. We found two carriages (rather pretty victorias in wood natural colour and cushions the same colour—they looked very chic and country) and tall powdered footmen in the black and silver Imperial livery. There were two or three people in the second carriage whom I didn't recognise at first, but made out when we arrived. Val Prinsep, the artist, and his wife, a very pretty woman, and a German lady, also an artist I think. The Castle is not far from the station, and Cronberg (the town) is rather picturesque. The house is large—nothing particular in the way of architecture, but stands well in a fair-sized park. We were received in a fine hall, with pictures, carvings, and plenty of old furniture. Countess Perponcher and Baron Reischach received us. Count Seckendorff was not there, which I regretted, as I like him very much and should have been glad to see him again. Countess Perponcher took us to a small room on the ground floor where we left our parasols, wraps, etc., and then we went through one or two handsome rooms into a large salon where the company was already assembled. Lady Layard and her niece were staying in the house, also Prince Albert Solms (our old friend) with his wife. He is very ill, poor fellow, and can hardly get about. Some English friends arrived from Hombourg—Lady Cork, Lord Algy Lennox. About 1.30 the Empress came—always the same charming manner, and always her sad eyes. I thought she looked thinner and paler perhaps, but not ill. We went immediately to luncheon—the Empress first, alone, all of us following. Baron Reischach sat opposite to her, between me and Lady Cork. The talk was easy, the Empress talking a great deal. Val Prinsep too did his share, and Lady Cork is always clever and original. After luncheon we went back to the big drawing-room and looked at some of the beautiful things. Angeli's last portrait of the Empress had just come and had been placed (temporarily only) in a corner where the light was not very good. It is a fine picture—the Empress all in black with her splendid pearl necklace, seated on a sort of carved throne, or high-backed chair—all the shading dark, the only bit of colour the yellow ribbon of the Black Eagle. It is a striking picture and very like her, but so inexpressibly sad. She called each one of us in turn to come and sit by her. She spoke very warmly of W. to me, and asked me if I didn't regret my London life, and if I did not find it very difficult to settle down in France after having lived ten years in London, "the great centre of the world." It is curious how universal that feeling is with English people (and "au fond," notwithstanding all the years she has lived in Germany, the Empress is absolutely English still in her heart). They think that life in England—London—spoils one for everything else. I told her I didn't think I was to be pitied for living in Paris—after all, my boy was a Frenchman and all his interests were in France. She asked about Francis, how old he was, and couldn't believe that I was going back to fêter his 21 years, and thought it was fortunate for him that his early education had been in England.