No. 6.
JAMES NORTHCOTE, R.A.
Dark dress. White hair.
BORN 1746, DIED 1831.
By Himself.
THE son of a watchmaker, he was born at Plymouth, and, like his illustrious fellow-townsman, showed an early enthusiasm for art, and a distaste for any other occupation. But his father was prudent, and bound his son apprentice to himself, allowing him no money, and discouraging in every possible manner the boy’s artistic tendencies. They were too strong to be repressed. Young James gave all his spare time to the study of drawing, and, having scraped together five guineas, he doubled the sum by the sale of a print of the new assembly rooms and bathing-place at Plymouth, from one of his own Indian ink sketches. Armed with this large fortune, he plotted a secret journey to London with his elder brother Samuel; his only confidants being Dr. Mudge and a Mr. Tolcher, both Plymouth men, and friends of Sir Joshua Reynolds, the newly-elected President of the Royal Academy, to whom they gave James letters of introduction. The brothers set forth on their pilgrimage one fine May morning, being Whit-Sunday; and the younger tells us that when they arrived on the hill and looked homewards, Samuel felt some regret—James nothing but satisfaction.
The travellers performed the whole of the journey on foot, with a rare lift on the top of a stage-coach; sleeping wherever they could: in small ale-houses, by the wayside, sometimes in haylofts, and even under hedgerows. The new President received the young aspirant with the greatest kindness, and installed him in his own house. Samuel Northcote soon returned home, but James wrote to a friend in Devonshire, in raptures with his new domicile. ‘The house,’ he says, ‘is to me a paradise; all the family behave with the greatest kindness, especially Sir Joshua’s two pupils. Miss Reynolds has promised to show me her paintings, for she paints very fine, both history and portraits. Sir Joshua is so much occupied that I seldom see him; but, when I find him at liberty, I will ask his advice for future guidance, and whether there will be any chance of my eventually gaining a subsistence in London, by portrait-painting.’ The master soon found out that his new pupil was earnest and industrious, and it was arranged that Northcote should remain in the President’s service for five years. The hall in which he worked was adjacent to his master’s sitting-room, and he was both amused and edified by overhearing the conversations of such men as Burke, Johnson, Garrick, etc. He worked diligently, copying Sir Joshua’s pictures, studying the human form—drapery, etc.,—persuading the housemaids to sit to him, and working as a student at the Academy. He tells an amusing incident of Reynolds’s favourite macaw, which had a violent hatred for one of the maid-servants in the house, whom Northcote had painted. It flew furiously at the portrait, pecking the face with its beak. We might be inclined to suspect the artist of inventing this implied compliment to his own handiwork, were we not also assured that Sir Joshua tried the experiment of putting the portrait in view of the bird, who invariably swooped down on the painted enemy. The maid’s crime, we believe, consisted in cleaning out the cage.
Northcote began to exhibit on his own account in 1774, and became eventually A.R.A. and R.A. Samuel Northcote met Sir Joshua on one of his visits to Plymouth, at the house of their common friend, Dr. Mudge, and writes to his brother to tell him the President had spoken of him in very satisfactory terms. When the five years’ apprenticeship was nearly over, Northcote took leave of his master. He gives rather a tedious account of the interview, in which he announced his determination, but ends the paragraph by saying ‘it was of course impossible to leave a house, where he had received so much kindness, without regret; it is a melancholy reflection, even at this moment, when one considers the ravages a few short years have made in that unparalleled society which shone at his table, now all gone.’