"Did you sketch the figure-head?" she asked all in a breath. Then a wave of colour rose in her cheeks. She stood before him in a trance of noble embarrassment.
"Why yes, I did," he returned. He took a book from his pocket, opened it to a certain page and presented it to her. The book was filled, all but that page, with drawings of little instruments.
She slowly approached leading the cow. He turned to her his face, framed in its curling beard. "I'm a pretty poor excuse for an artist," he began.
"That figure-head belongs to me," she interrupted, handing the book back.
A second time he fixed his attention upon her and two tiny stars of laughter shot into his eyes. "Does it, indeed?" he remarked; there was almost a caress in the words.
"Yes, my grandfather saved it and set it up here," she affirmed. She breathed quickly and every moment her shyness and her anger deepened.
"It appears to be an interesting bit of carving." Stealing over this great giant as he frankly studied her was something of the air of a lazy lion. "I should say someone carved it who loved to carve," he added. Then, with an idea of giving her a chance to recover countenance, he considerately turned his gaze in the direction of the bay.
"What—what are you doing now?" she asked quickly; for her spirit was roused and it behooved her to recover dignity.
"Well, I hoped to be able to get some of those fishermen to take me out in a boat for a certain purpose, but they can't see my signal and the fog doesn't lift."
He seated himself on the wreck and began to touch up his drawing of the figure-head, then he fell to making a tentative sketch of the indistinct figures in the dories out on the water.