“I have never,” said my friend Annabel Lee, “yet seen any one dreaming over an unstrung lute who did not finger the stops.”
Having said this, my friend Annabel Lee gazed out over my head at the flat, green Atlantic sea, and her hand went upon and about her lute-strings, and there came out music. And the stops worked right, like stops that had not been tampered with in the lute’s unstrung days.
And the music that came out was like yellow wine to the head, and went not only into the corridors but into the towers as well, and low down by the moat and within and without the outer wall, and into the dungeon where had not been music before.
[XVIII
ANOTHER VISION OF MY FRIEND ANNABEL LEE]
AND I have a vision of my friend Annabel Lee as a princess in a tall, tall castle by the side of the sea—a castle made of dull red granite that glows a gorgeous crimson in the light of the setting sun.
And all day long there is no sign of life about the dull red castle, and also the winds are low and the blue water is very quiet. Far down the shore are only a few gulls flying, and wild ducks riding on the waves.
There is nothing moving on the jagged rocks for miles about the red castle, but there are growing in crevices some wild green weeds that are full of fair sweet life. And all day the sky is pale blue.
The windows in the red castle are of thick, dark glass and are grated and mullioned and set about with iron. The look of these windows is rigid and bitter and it shuts out everything that is without.
The battlements of the castle are high and narrow and fearsome-looking and dark and very sullen. Were I upon the battlements I would gladly plunge off from them down upon the rocks, some hundreds of feet, and be dashed to pieces—or into the deep sea. But below there is a turret and a belfry, but no bell, and the turret is a sheltered and safe retreat looking out upon all. One who had not been content before in the world might be at last content within the turret of this tall, red castle by the side of the sea.