“Upon the talk of the poisoning?”
It was not likely that Hamlet’s behaviour would be let pass without remark, and presently the two obsequious courtiers, Rosencrantz and Guildenstern, came to summon him to the presence of the Queen. They brought word that the King was in his own room, marvellously upset with rage, and that the Queen, in great affliction of spirit, had sent them to say to Hamlet that his behaviour had struck her into amazement and astonishment, and that she desired to speak with him in her room before he went to bed.
Hamlet replied he would obey, but on Rosencrantz and Guildenstern’s further attempting to discover from him the cause of his strange behaviour, he retorted by asking the two young men what they meant by treating him in the way they did, which was as if they were trying to drive him into some snare.
“O my lord, if my duty be too bold, my love is too unmannerly,” answered Guildenstern.
“I do not well understand that,” said Hamlet; and it may be doubted if the speaker himself knew what he meant by his silly words.
But the young Prince determined to give the couple a lesson, and show them he was not quite the witless creature they seemed to imagine. A few minutes before he had called for music, and ordered some recorders to be brought. The recorder was a small musical instrument something like a flute. On the attendant’s bringing them, Hamlet took one and held it out to Guildenstern.
“Will you play upon this pipe?” he asked him courteously.
“I pray you,” he begged.