That queer little dwarf going about with a heavy basket, winding in and out among the people, helps not a little. You can hear his shrill cry above all the other sounds, "Pypen en tabac! Pypen en tabac!"

Another, his big brother though evidently some years younger, is selling doughnuts and bonbons. He is calling on all pretty children far and near to come quickly or the cakes will be gone.

You know quite a number among the spectators. High up in yonder pavilion, erected upon the border of the ice, are some persons whom you have seen very lately. In the centre is Madame van Gleck. It is her birthday, you remember; she has the post of honor. There is Mynheer van Gleck whose meerschaum has not really grown fast to his lips—it only appears so. There are grandfather and grandmother whom you met at the St. Nicholas fête. All the children are with them. It is so mild they have brought even the baby. The poor little creature is swaddled very much after the manner of an Egyptian mummy, but it can crow with delight, and when the band is playing, open and shut its animated mittens in perfect time to the music.

Grandfather with his pipe and spectacles and fur cap, makes quite a picture as he holds baby upon his knee. Perched high upon their canopied platforms, the party can see all that is going on. No wonder the ladies look complacently at the glassy ice; with a stove for a footstool one might sit cozily beside the North Pole.

There is a gentleman with them who somewhat resembles St. Nicholas as he appeared to the young Van Glecks on the fifth of December. But the saint had a flowing white beard; and this face is as smooth as a pippin. His saintship was larger around the body, too, and (between ourselves) he had a pair of thimbles in his mouth, which this gentleman certainly has not. It cannot be Saint Nicholas after all.

Near by, in the next pavilion sit the Van Holps with their son and daughter (the Van Gends) from the Hague. Peter's sister is not one to forget her promises. She has brought bouquets of exquisite hothouse flowers for the winners.

These pavilions, and there are others beside, have all been erected since daylight. That semicircular one, containing Mynheer Korbes' family, is very pretty, and proves that the Hollanders are quite skilled at tent-making, but I like the Van Glecks' best—the centre one—striped red and white, and hung with evergreens.

The one with the blue flags contains the musicians. Those pagoda-like affairs, decked with sea-shells and streamers of every possible hue, are the judges' stands, and those columns and flagstaffs upon the ice mark the limit of the race-course. The two white columns twined with green, connected at the top by that long, floating strip of drapery, form the starting-point. Those flagstaffs, half a mile off, stand at each end of the boundary line, cut sufficiently deep to be distinct to the skaters, though not enough so to trip them when they turn to come back to the starting-point.

The air is so clear it seems scarcely possible that the columns and flagstaffs are so far apart. Of course the judges' stands are but little nearer together.

Half a mile on the ice, when the atmosphere is like this, is but a short distance after all, especially when fenced with a living chain of spectators.