"And that all her poor servants might enjoy that quietly which by her will and testament she had given them. And lastly, that they might be well entreated and sent home safely and honestly into their own country. And to this I do conjure you my lords to do."—See Tanner MSS., [Appendix], p. [250].

[137] Account of Mary's execution in a letter to Burleigh-Ellis, 2nd series, p. 258.

[138] "The above named were sent for, who were, together with the others, in prayer, and at their arrival thought she was dead, but being descended into the hall, found that they were only commencing to read her sentence.

"Who coming into the hall and seeing the place of execution prepared and their sovereign mistress expecting death, they began to cry out in most woful and pitiful sort. Wherewith she held up her hands, willing them for her sake to forbear and be silent. 'For,' quoth she, 'I have passed my word to these lords that you shall be quiet and not offend them.' And presently there appeared in them a wonderful show of subjection and loyal obedience, as to their natural prince, whom even at the instant of death they honoured with all reverence and duty. For though their breasts were seen to rise and swell as if their wounded hearts would burst in sunder, yet did they (to their double grief) forbear outward plaints to accomplish her pleasure."—Contemporary MSS.

[139] Contemporary MSS., f. 175 b.

[140] Chantelauze, p. 578.

[141] These details regarding the scaffold are taken chiefly from the valuable drawing of the execution found among Beale's papers.—Yelverton MSS.

[142] "From the moment of her arrival in the hall until she received the blow of the axe, no change was perceptible in her countenance, but, on the contrary, overcoming her suffering by her natural fortitude, her speech was always assured, and her mode of action was exceeding tranquil."—MSS. Report of Execution (Teulet, iv. 153).

[143] In order probably to divert the attention of the crowd, and perhaps as an insult to the Queen, the musicians placed in the courtyard played as she entered the hall a mournful dirge, an air commonly played at the execution of witches. The MSS. of this music was discovered some years ago at Oxford, and is now published.

[144] "During the reading of which commission the Queen of Scots was silent, listening unto it with as small regard as if it had not concerned her at all, and with as cheerfull countenance as if it had been a pardon from Her Majesty for her life, using as much strangeness in word and deed as if she had never known any of the assembly, or had been ignorant of the English language."—See Tanner MSS., [Appendix], p. [252].