"From Willis. I've sold him 'The Raven.' He's vastly taken with it and not only paid me the ten, in advance, but will give the poem an editorial puff in the Mirror of the nineteenth. He showed me a rough draft. He will say that it is 'the most effective example of fugitive poetry ever published in this country,' and predict that it will 'stick in the memory of everybody who reads it!'"

"And it will! It will!" cried Virginia. "Especially that 'Nevermore.' I've done everything in time to it since the first night you read it to us."

"I've done everything in time to it since I was three years old," murmured her husband. He drew the miniature from the inside pocket of his coat where he had carried it, close against his heart, throughout his life, and gazed long upon it. In his grey eyes was the tender, brooding expression which the picture always called forth. "Ever since I heard that word for the first time from the lips of my old nurse when she took me in to see my mother robed for the grave, my feet and my thoughts have kept time to it; and generally when my steps and my face have been set toward hope and happiness it has risen before me like a wall, blocking my way."

Virginia arose from her chair letting her work and the bank note fall unheeded from her lap, and went to him. Gently taking the miniature from his hands she restored it to its place in his pocket and then with a hand on each of his shoulders lifted her eyes to his.

"Buddie," she said, calling him by the old pet name of their earliest days, "You frighten me sometimes. The miniature is beautiful but it makes you so sad. And when you talk that way about 'The Raven,' I feel as if I could hear your tears dropping on my coffin-lid!" Then, with a sudden change of mood, her laugh rang out, and she pressed her lips upon his.

"I'll have you know," she said, "I'm not dead yet, and you will not have to journey to any 'distant Aidenn' to 'clasp' me."

"No, thank God!" he breathed, crushing her to him.


It was upon January 29, 1845, that "The Raven" appeared, with Willis's introductory puff. In spite of Dr. Griswold and the staff of Graham's Magazine, it created an instant furor. It was published and republished upon both sides of the Atlantic. To quote a contemporary writer, everybody was "raven-mad" about it, except a few "waspish foes" who would do its author "more good than harm."

It brought to the two bright rooms up the two flights of stairs visitors by the score, eager to congratulate the poet, to make the acquaintance of his interesting wife and mother and to assure all three of their welcome to homes approached by brown-stone steps.