We arranged that I should pick him up the next night after his number, and take him to my rooms, and with that I left him.
When I got back to my own place I could not shake off the idea of Zoëtique. I sat and smoked and considered for an hour, and I came to see that I was due to meddle in this affair. The boy was out of his proper atmosphere, and the glimpse I had had of him and of the men who were his companions had showed me that he was getting into bad hands. The Morgans were away—he knew no one else. I thought of the girl in the little French village in Canada eating out her heart for him, and of the happiness and self-respect and normal life waiting there for him, and a meteoric vaudeville success did not seem to me worth while as I thought of those things. So, as I sat smoking alone at three in the morning in a twelfth-story New York apartment, I elected to be guardian angel to this backwoods boy and settle him in a log cabin of his own with a wife who cared for him. I could not think of anything else as good that fate could give him.
I decided to see Charles Esmond next day and get his consent, as was only decent, to send the youngster about his business, and if there was any forfeit to pay I was luckily so situated that I could pay it. Bright and early I hunted up Esmond, and after a most unpromising start, including surprise, disgust, reluctance, on his part, I finally got at the man’s good feeling, and persuaded him.
“I think you’re clean gone off your head,” was his parting remark, “and I think I’m worse. But you’ve hypnotized me. Take your brat and ship him back, or I’ll change my mind.” And I left him in a hurry.
I bundled Zoëtique into a taxicab that night the moment he had finished his whistling, leaving two evil-appearing Frenchmen looking black at his evasion. I expected enthusiasm over the taxi, but the lad was too much for me.
“One drives in these wagons every day here,” he remarked calmly. “My friends tell me it is comme il faut.”
“The devil they do,” I responded in stout English. “You must be spending money like water.”
He shrugged his expressive shoulders. “Ça coute cher,” he acknowledged. “It is expensive. But what will you? One gains money every night, and one has nothing to save for. It is well to make pleasure for one’s friends.” And remembering the adventurers I had seen, I felt confirmed in my opinion that it was also well to snatch this brand from the burning.
Sophisticated as he had become, Zoëtique showed primitive interest in my rooms. He went from one thing to another, examining, asking deferential questions, and listening with deep attention to my answers. He put every picture in the place under analysis, and at length he came to a wide frame which held eight photographs set side by side. I heard him catch his breath as he bent over and saw what they were, and I heard his long-drawn “Ah, oui!” that was yet only a whisper. He stood like a statue, his head thrown forward, gazing.
After a while I put a hand on his shoulder and pointed to one of the prints. It was a snap-shot of himself and of me, taken an August morning on a little, lonely river. Zoëtique stood upright in the stern of the canoe, poling it through the shallows. His athletic figure swung with a sure balance; the wind swayed the grasses and floated the ends of the bandanna about his throat. I held my hat on my head as the breeze caught it, and he smiled broadly to see me. The spire of a tall spruce in the distance cut into the sky. It was one of those lucky amateur photographs which wing the spirit and the drawing combined. It takes perhaps a thousand films to produce one, but no professional work comes near the effect when such a one succeeds.