“But yes, m’sieur, I love her.”
“Then, for Heaven’s sake, man, go to her and be happy!”
Once more the muscular arms were flung out on my writing-table and the dark head fell on them, but this time the bitterness was gone from the pose. The room was still for a minute, and then he lifted his face and it was smiling, and a tear was wet on his cheek.
“M’sieur has won—I will do as m’sieur wishes,” he said, embarrassed, laughing, and the rest of that interview was as uninteresting as the nations which have no history.
True love is no hot-house plant, and, like moss on the trees, it grows warmest where north winds are cold; but, for all that, it does not take to being sandpapered, and if one walks on it with hobnailed boots it is likely to die down. Yet it is true that deep roots may with cultivation sprout again—may even sprout thicker if cared for tenderly. All the same, it is ill-advised to try more than one episode of hobnails and sandpaper. Zoëtique and Alixe, learning it painfully, learned this lesson thoroughly, and I think that never again will they take liberties with their affection for each other. That it has sprung plentifully from the trodden roots I am led to believe from strangely spelled French letters which reach me from time to time. My conscience as a meddler is much soothed by these letters.
As for the other side of my meddling—a few nights ago I dined at the Lambs’ Club, and across the room was Charles Esmond, with a galaxy of stars shining about him. At the end of dinner he picked up his coffee and came over with it to us, smoking like a chimney as he came. He set down the cup and took my hand, and then shook his fist at me and laughed at my host—fascinating and unexpected as I remembered him in the Canadian camp.
“Dick,” said he to my friend, “this chap is a common burglar—don’t give him any more dinner. He burgled the best number out of the best vaudeville I ever staged—plain stole the boy without remorse—the most marvellous whistler the profession has ever seen. I’d have made a mint of money off the fellow—he was just beginning to make a sensation. And this man you’re feeding lifted him, inside of twenty-four hours, and shipped him back to Canada to the girl he’d left behind him.” He proceeded to make an anecdote five minutes in length and telling practically all I have told, from the gist of what I have spun out so long.
When I got back to my rooms that night I found in my mail a birch-bark enveloped photograph of my lovers, now married. Zoëtique, in store clothes which took all the good looks out of him, sat solemn in a chair with a cheap derby hat on his head, and Alixe stood behind him, her hand on his shoulder—smiling, dark-eyed, and graceful.
I looked at the heroine hard and long, and then I unlocked a drawer and took out an old photograph of another dark-eyed girl, and put them side by side and let myself dream how it would be if that hand were sometimes on my shoulder, if those eyes smiled, so, to be at my side—if we had not quarrelled. I do not often let myself have this dream, because it makes work and play harder for a day or two.
I look forward to a month in Canada next summer, and I expect to have a guide who will turn the woods upside down to get me good fishing and hunting, as is the just reward of a successful meddler. And in the intervals of serious business I expect to listen without paying admission to the “best number of the best vaudeville ever staged”—No. 5—Zoëtique’s whistling.