The evening wore on. Two tables of bridge were going, with Denis Nolan sitting in at one. Money in large amounts was being written in on the bridge scores. The air of the room was heavy with smoke, and all the men and some of the women were drinking rather too much. There were splotches of color under the tan in Graham's cheeks, and even Natalie's laughter had taken on a higher note.

Chris's words rankled in Clayton Spencer's mind. A step from the Saturday night carouse. How much better was this sort of thing? A dull party, driven to cards and drink to get through the evening. And what sort of home life were he and Natalie giving the boy? Either this, or the dreary evenings when they were alone, with Natalie sifting with folded hands, or withdrawing to her boudoir upstairs, where invariably she summoned Graham to talk to him behind closed doors.

He went into the library and shut the door. The room rested him, after the babble across. He lighted a cigar, and stood for a moment before Natalie's portrait. It had been painted while he was abroad at, he suspected, Rodney's instigation. It left him quite cold, as did Natalie herself.

He could look at it dispassionately, as he had never quite cared to regard Natalie. Between them, personally, there was always the element she never allowed him to forget, that she had given him a son. This was Natalie herself, Natalie at forty-one, girlish, beautiful, fretful and—selfish. Natalie with whom he was to live the rest of his life, who was to share his wealth and his future, and with whom he shared not a single thought in common.

He had a curious sense of disloyalty as he sat down at his desk and picked up a pad and pencil. But a moment later he had forgotten her, as he had forgotten the party across the hall. He had work to do. Thank God for work.

[ [!-- H2 anchor --] ]

CHAPTER II

Natalie was in bed when he went up-stairs. Through the door of his dressing-room he could see her lying, surrounded by papers. Natalie's handsome bed was always covered with things, her handkerchief, a novel, her silk dressing-gown flung over the footboard, sometimes bits of dress materials and lace. Natalie did most of her planning in bed.

He went in and, clearing a space, sat down on the foot of the bed, facing her. Her hair was arranged in a loose knot on top of her head, and there was a tiny space, perhaps a quarter of an inch, slightly darker than the rest. He realized with a little start that she had had her hair touched up during his absence. Still, she looked very pretty, her skin slightly glistening with its night's bath of cold cream, her slim arms lying out on the blue silk eiderdown coverlet.

“I told Doctor Haverford to-night that we would like to give him a car, Natalie,” he began directly. It was typical of him, the “we.”