“You think, then,” he had asked, “that we only receive as we give? I don't mean material things, of course.”

The rector had fixed him with kindly, rather faded old eyes. “That has been my experience,” he said. “Happiness for instance only comes when we forget our eternal search for it, and try to make others happy. Even religion is changing. The old selfish idea of saving our own souls has given way largely to the saving of others, by giving them a chance to redeem themselves. Decent living conditions—”

He had gone on, but Clayton had not listened very intently. He had been wondering if happiness was not the thing he had somehow missed. It was then that he had decided to give the car. If, after all, that would make for the rector's happiness—

“I don't want to find fault with you, Natalie,” he said gravely. “I would like to see you happy. Sometimes I think you are not. I have my business, but you have nothing to do, and—I suppose you wouldn't be interested in war-work, would you? There are a lot of committees, and since I've been in England I realize what a vast amount is needed. Clothes, you know, and bandages, and—well, everything.”

“Nothing to do,” she looked up, her eyes wide and indignant. “But of course you would think that. This house runs itself, I suppose.”

“Let's be honest, Natalie,” he said, with a touch of impatience. “Actually how much time each day do you give this house? You have plenty of trained servants. An hour? Two hours?”

“I'll not discuss it with you.” She took up a typewritten sheet and pretended to read it carefully. Clayton had a half-humorous, half-irritated conviction that if he was actually hunting happiness he had begun his search for it rather badly. He took the paper from her, gently.

“What's this?” he inquired. “Anything I should not see?”

“Decorator's estimates for the new house.” Her voice was resentful. “You'll have to see them some time.”

“Library curtains, gray Chippendale velvet, gold gimp, faced with colonial yellow,” he read an item picked at random, “two thousand dollars! That's going some for curtains, isn't it?”