“Stage stuff!” he muttered. But in the depths of his warped soul there was bitter envy. He knew well with what frightened yet adoring eyes Anna Klein had devoured that news of Graham Spencer. While for him there was the girl in the compound back of the “Owl,” with Anna Klein's eyes, filled when she looked at him with that bitterest scorn of all, the contempt of the wholly contemptible.
That night he went to the Owl. He had shaved and had his hair cut and he wore his only remaining decent suit of clothes. He passed through the swinging gate in the railing which separated the dancing-floor from the tables and went up to the line of girls, sitting in that saddest waiting of all the world, along the wall. There was an ominous silence at his approach. He planted himself in front of the girl with eyes like Anna Klein.
“Are you going to dance?”
“Not with you,” she replied, evenly. And again the ripple of laughter spread.
“Why not?”
“Because you're a coward,” she said. “I'd rather dance with a Chinaman.”
“If you think I'm here because I'm afraid to fight you can think again. Not that I care what you think.”
He had meant to boast a little, to intimate that he had pulled off a big thing, but he saw that he was ridiculous. The situation infuriated him. Suddenly he burst into foul-mouthed invective, until one of the girls said, wearily,
“Oh, cut that out, you slacker.”
And he knew that no single word he had used against them, out of a vocabulary both extensive and horrible, was to them so degraded as that single one applied to him.