The Crown Prince got up. He neglected to put on his bedroom slippers, of course, and in his bare feet be padded across the room to the study door. It was not entirely dark. A night-light burned there. It stood on a table directly under the two crossed swords. Beneath the swords, in a burnt-wood frame, were the pictures of his father and mother. Hedwig had given him a wood-burning outfit at Christmas, and he had done the work himself. It consisted of the royal arms, somewhat out of drawing and not exactly in the center of the frame, and a floral border of daisies, extremely geometrical, because he had drawn them in first with a compass.
The boy, however, gave the pictures only a hasty glance and proceeded, in a business-like manner, to carry a straight chair to the cabinet. On the top shelf sat the old cloth dog. Its shoe-button eyes looked glazed with sleep, but its ears were quite alert. Very cautiously the Crown Prince unlocked the door, stepped precariously to the lower shelf of the cabinet, hung there by one royal hand, and lifted the dog down.
At nine o’clock the wet-nurse took off his sword in another room and leaned it against a chair. Then he examined his revolver, in accordance with a formula prescribed by the old King. Then he went in and examined the room with a flashlight, and listened to the Crown Prince’s breathing. He had been a croupy baby. And, at last, he turned the flashlight on to the bed. A pair of shoe-button eyes stared at him from the pillow.
“Well, I’m damned,” said the wet-nurse And went out, looking thoughtful.
CHAPTER IX. A FINE NIGHT
In a shop where, that afternoon, the Countess had purchased some Lyons silks, one of the clerks, Peter Niburg, was free at last. At seven o’clock, having put away the last rolls of silk on the shelves behind him, and covered them with calico to keep off the dust; having given a final glance of disdain at the clerk in the linens, across; having reached under the counter for his stiff black hat of good quality and his silver-topped cane; having donned the hat and hung the stick to his arm with two swaggering gestures; having prepared his offensive, so to speak, he advanced.
Between Peter Niburg and Herman Spier of the linens, was a feud. Its source, in the person of a pretty cashier, had gone, but the feud remained. It was of the sort that smiles with the lips and scowls with the eyes, that speaks pleasantly quite awful things, although it was Peter Niburg who did most of the talking. Herman Spier was a moody individual, given to brooding. A man who stood behind his linens, and hated with his head down.
And he hated Peter. God, how he hated him! The cashier was gone, having married a restaurant keeper, and already she waxed fat. But Herman’s hatred grew with the days. And business being bad, much of the time he stood behind his linens and thought about a certain matter, which was this:
How did Peter Niburg do it?