On the night of Arthur Wells’s death they were dressing for a ball. She had made a private arrangement with Ellingham to plead a headache at the last moment and let Arthur go alone. But he had been so insistent that she had been forced to go, after all. She had sent the governess, Suzanne Gautier, out to telephone Ellingham not to come, but he was not at his house, and the message was left with his valet. As it turned out, he had already started.

Elinor was dressed, all but her ball-gown, and had put on a negligee, to wait for the governess to return and help her. Arthur was in his dressing-room, and she heard him grumbling about having no blades for his safety razor.

He got out a case of razors and searched for the strop. When she remembered where the strop was, it was too late. The letters had been beside it, and he was coming toward her, with them in his hand.

She was terrified. He had read only one, but that was enough. He muttered something and turned away. She saw his face as he went toward where the revolver had been hidden from the children, and she screamed.

Charlie Ellingham heard her. The door had been left unlocked by the governess, and he was in the lower hall. He ran up and the two men grappled. The first shot was fired by Arthur. It struck the ceiling. The second she was doubtful about. She thought the revolver was still in Arthur’s hand. It was all horrible. He went down like a stone, in the hallway outside the door.

They were nearly mad, the two of them. They had dragged the body in, and then faced each other. Ellingham was for calling the police at once and surrendering, but she had kept him away from the telephone. She maintained, and I think it very possible, that her whole thought was for the children, and the effect on their after lives of such a scandal. And, after all, nothing could help the man on the floor.

It was while they were trying to formulate some concerted plan that they heard footsteps below, and, thinking it was Mademoiselle Gautier, she drove Ellingham into the rear of the house, from which later he managed to escape. But it was Clara who was coming up the stairs.

“She had been our first governess for the children,” Elinor said, “and she often came in. She had made a birthday smock for Buddy, and she had it in her hand. She almost fainted. I couldn’t tell her about Charlie Ellingham. I couldn’t. I told her we had been struggling, and that I was afraid I had shot him. She is quick. She knew just what to do. We worked fast. She said a suicide would not have fired one shot into the ceiling, and she fixed that. It was terrible. And all the time he lay there, with his eyes half open—”

The letters, it seems, were all over the place. Elinor thought of the curtain, cut a receptacle for them, but she was afraid of the police. Finally she gave them to Clara, who was to take them away and burn them.

They did everything they could think of, all the time listening for Suzanne Gautier’s return; filled the second empty chamber of the revolver, dragged the body out of the hall and washed the carpet, and called Doctor Sperry, knowing that he was at Mrs. Dane’s and could not come.