"I find that I shall have to leave you in Dunkirk," he said. "A matter of a day only, probably. But I will see before I go that you are comfortable."
"I shall be quite all right, of course."
But something had gone out of the day for her.
Sara Lee learned one thing that day, learned it as some women do learn, by the glance of an eye, the tone of a voice. The chauffeur adored Henri. His one unbandaged eye stole moments from the road to glance at him. When he spoke, while Henri read his map, his very voice betrayed him. And while she pondered the thing, woman-fashion they drew into the square of Dunkirk, where the statue of Jean Bart, pirate and privateer stared down at this new procession of war which passed daily and nightly under his cold eyes.
Jean and a porter carried in her luggage. Henri and a voluble and smiling Frenchwoman showed her to her room. She felt like an island of silence in a rapid-rolling sea of French. The Frenchwoman threw open the door.
A great room with high curtained windows; a huge bed with a faded gilt canopy and heavy draperies; a wardrobe as vast as the bed; and for a toilet table an enormous mirror reaching to the ceiling and with a marble shelf below—that was her room.
"I think you will be comfortable here, mademoiselle."
Sara Lee, who still clutched her small bag of gold, shook her head.
"Comfortable, yes," she said. "But I am afraid it is very expensive."
Henri named an extremely low figure—an exact fourth, to be accurate, of its real cost. A surprising person Henri, with his worn uniform and his capacity for kindly mendacity. And seeing something in the Frenchwoman's face that perhaps he had expected, he turned to her almost fiercely: