“Empty! Do you mean my clothes aren’t there?” I demanded. “My valise? Why don’t you answer me?”
“You doan’ give me time,” he retorted. “There ain’t nothin’ there. But it’s been slept in.”
The disappointment was the greater for my few moments of hope. I sat up in a white fury and put on the clothes that had been left me. Then, still raging, I sat on the edge of the berth and put on the obnoxious tan shoes. The porter, called to his duties, made little excursions back to me, to offer assistance and to chuckle at my discomfiture. He stood by, outwardly decorous, but with little irritating grins of amusement around his mouth, when I finally emerged with the red tie in my hand.
“Bet the owner of those clothes didn’t become them any more than you do,” he said, as he plied the ubiquitous whisk broom.
“When I get the owner of these clothes,” I retorted grimly, “he will need a shroud. Where’s the conductor?”
The conductor was coming, he assured me; also that there was no bag answering the description of mine on the car. I slammed my way to the dressing-room, washed, choked my fifteen and a half neck into a fifteen collar, and was back again in less than five minutes. The car, as well as its occupants, was gradually taking on a daylight appearance. I hobbled in, for one of the shoes was abominably tight, and found myself facing a young woman in blue with an unforgettable face. (“Three women already.” McKnight says: “That’s going some, even if you don’t count the Gilmore nurse.”) She stood, half-turned toward me, one hand idly drooping, the other steadying her as she gazed out at the flying landscape. I had an instant impression that I had met her somewhere, under different circumstances, more cheerful ones, I thought, for the girl’s dejection now was evident. Beside her, sitting down, a small dark woman, considerably older, was talking in a rapid undertone. The girl nodded indifferently now and then. I fancied, although I was not sure, that my appearance brought a startled look into the young woman’s face. I sat down and, hands thrust deep into the other man’s pockets, stared ruefully at the other man’s shoes.
The stage was set. In a moment the curtain was going up on the first act of the play. And for a while we would all say our little speeches and sing our little songs, and I, the villain, would hold center stage while the gallery hissed.
The porter was standing beside lower ten. He had reached in and was knocking valiantly. But his efforts met with no response. He winked at me over his shoulder; then he unfastened the curtains and bent forward. Behind him, I saw him stiffen, heard his muttered exclamation, saw the bluish pallor that spread over his face and neck. As he retreated a step the interior of lower ten lay open to the day.
The man in it was on his back, the early morning sun striking full on his upturned face. But the light did not disturb him. A small stain of red dyed the front of his night clothes and trailed across the sheet; his half-open eyes were fixed, without seeing, on the shining wood above.
I grasped the porter’s shaking shoulders and stared down to where the train imparted to the body a grisly suggestion of motion. “Good Lord,” I gasped. “The man’s been murdered!”