"Very well," triumphantly. "Some one did. Not only that, but they were in the store-room on the floor above. I could hear one person and perhaps two, going from one side of the room to the other and back again."
"You heard a goblin quadrille. First couple forward and back," I said facetiously.
"I heard real footsteps—unmistakable ones. The maids sleep back on the second floor, and—don't tell me it was rats. There are no rats in my Aunt Letitia's house."
I was more impressed than I cared to show. I found I had a half hour before train time, and as we were neither of us eating anything, I suggested that we explore the upper floor of the house. I did it, I explained, not because I expected to find anything, but because I was sure we would not.
We crept past the two closed doors behind which the ladies Maitland were presumably taking out their crimps and taking in their tea. Then up a narrow, obtrusively clean stairway to the upper floor.
It was an old-fashioned, sloping-roofed attic, with narrow windows and a bare floor. At one end a door opened into a large room, and in there were the family trunks of four generations of Maitlands. One on another they were all piled there—little hair trunks, squab-topped trunks, huge Saratogas—of the period when the two maiden ladies were in their late teens—and there were handsome, modern trunks, too. For Miss Fleming's satisfaction I made an examination of the room, but it showed nothing. There was little or no dust to have been disturbed; the windows were closed and locked.
In the main attic were two step-ladders, some curtains drying on frames and an old chest of drawers with glass knobs and the veneering broken in places. One of the drawers stood open, and inside could be seen a red and white patchwork quilt, and a grayish thing that looked like flannel and smelled to heaven of camphor. We gave up finally, and started down.
Part way down the attic stairs Margery stopped, her eyes fixed on the white-scrubbed rail. Following her gaze, I stopped, too, and I felt a sort of chill go over me. No spot or blemish, no dirty finger print marked the whiteness of that stair rail, except in one place. On it, clear and distinct, every line of the palm showing, was the reddish imprint of a hand!
Margery did not speak; she had turned very white, and closed her eyes, but she was not faint. When the first revulsion had passed, I reached over and touched the stain. It was quite dry, of course, but it was still reddish-brown; another hour or two would see it black. It was evidently fresh—Hunter said afterward it must have been about six hours old, and as things transpired, he was right. The stain showed a hand somewhat short and broad, with widened finger-tips; marked in ink, it would not have struck me so forcibly, perhaps, but there, its ugly red against the white wood, it seemed to me to be the imprint of a brutal, murderous hand.
Margery was essentially feminine.