If you never looked at a butterfly before, you will look at this one. You will note that it has four broad wings attached to a rounded body. The portion of the body to which the wings are fastened is called the thorax. For a medium-sized insect, a No. 3 pin should be taken. The butterfly should be pinned through the thorax, half way between the front wings. Direct the pin so that it will come out in the middle on the under side of the thorax. One fourth of the pin's length should remain above the insect. This may seem a small matter but insects unevenly pinned look badly, and it spoils their salability. You will want some black-headed pins for use on the spreading-board. Common pins hurt the fingers, insect pins are too flexible and expensive. Pin strips of paper on to hold the wings in place. With the picture of butterflies on a spreading-board as a model, you will, after some experience, get so that you can do this well. It is no job for an impatient person, though. Leave the butterfly on the board until it is thoroughly dry, which takes three days. Put the board where the air can have free circulation around it, but not the mice.
Showing how to pin common insects
The only insects that are not pinned through the middle of the thorax are the beetles, those hard-shelled creatures like June bugs (which ought to be called May beetles), and potato bugs (which are also beetles). If you put a pin through the centre of a beetle's thorax, it spreads the wings out in an unnatural way. So collectors agree to pin them through the right wing-cover.
Pin butterflies through the thorax, between the front pair of wings
Your next requirement will be boxes to put the specimens in. Many a fine collection has been begun in ordinary cigar boxes. At first you will probably try to pin the insects right into the bottom of the box. After you have spoiled two or three of your rarest ones, bent a dozen or so expensive pins, you will conclude that the wood is too hard and does not hold the pins well. Be warned in time to save yourself this bother. The boxes should be lined with a thin layer of some material which, though soft enough to push a pin into easily, must at the same time be elastic and firm enough to hold the pins. Cork, linoleum, and slices of pith are all used. You may have noticed, though, if you have been to a large, up-to-date museum, that the specimens of insects are all pinned into solid blocks of wood. Many an hour I have spent pinning specimens into blocks in their permanent places in a great museum collection. It is hard work and has to be done with a tool. When once fastened on a block the insect is supposed to be a fixture; when it moves the block goes along. But the material you use in your boxes ought to be soft enough to make shifting of specimens easy. For example, at first you will get a great assortment. A butterfly to-day, a beetle or two to-morrow, a pair of moths the next day, some crickets, a dragon fly, a cicada, a waterbug, and so on. Take everything unless you already have it. That is the only way to collect. If you say, "Oh, I'll get a better one to-morrow," the chances are that the season will go by and you will not get that variety at all.
Glass-topped insect case