Another turning of the dell gives a glimpse of the dark coppice by which it is backed, and from which we are separated by some marshy, rushy ground, where the springs have formed into a pool, and where the moor-hen loves to build her nest. Ay, there is one scudding away now;—I can hear her plash into the water, and the rustling of her wings amongst the rushes. This is the deepest part of the wild dingle. How uneven the ground is! Surely these excavations, now so thoroughly clothed with vegetation, must originally have been huge gravel pits; there is no other way of accounting for the labyrinth, for they do dig gravel in such capricious meanders; but the quantity seems incredible. Well! there is no end of guessing! We are getting amongst the springs, and must turn back. Round this corner, where on ledges like fairy terraces the orchises and arums grow, and we emerge suddenly on a new side of the dell, just fronting the small homestead of our good neighbour Farmer Allen.
This rustic dwelling belongs to what used to be called in this part of the country 'a little bargain': thirty or forty acres, perhaps, of arable land, which the owner and his sons cultivated themselves, whilst the wife and daughters assisted in the husbandry, and eked out the slender earnings by the produce of the dairy, the poultry yard, and the orchard;—an order of cultivators now passing rapidly away, but in which much of the best part of the English character, its industry, its frugality, its sound sense, and its kindness might be found. Farmer Allen himself is an excellent specimen, the cheerful venerable old man with his long white hair, and his bright grey eye, and his wife is a still finer. They have had a hard struggle to win through the world and keep their little property undivided; but good management and good principles, and the assistance afforded them by an admirable son, who left our village a poor 'prentice boy, and is now a partner in a great house in London have enabled them to overcome all the difficulties of these trying times, and they are now enjoying the peaceful evenings of a well-spent life as free from care and anxiety as their best friends could desire.
Ah! there is Mr. Allen in the orchard, the beautiful orchard, with its glorious gardens of pink and white, its pearly pear-blossoms and coral apple-buds. What a flush of bloom it is! How brightly delicate it appears, thrown into strong relief by the dark house and the weather-stained barn, in this soft evening light! The very grass is strewed with the snowy petals of the pear and the cherry. And there sits Mrs. Allen, feeding her poultry, with her three little grand-daughters from London, pretty fairies from three years old to five (only two-and-twenty months elapsed between the birth of the eldest and the youngest) playing round her feet.
Mrs. Allen, my dear Mrs. Allen, has been that rare thing a beauty, and although she be now an old woman I had almost said that she is so still. Why should I not say so? Nobleness of feature and sweetness of expression are surely as delightful in age as in youth. Her face and figure are much like those which are stamped indelibly on the memory of every one who ever saw that grand specimen of woman—Mrs. Siddons. The outline of Mrs. Allen's face is exactly the same; but there is more softness, more gentleness, a more feminine composure in the eye and in the smile. Mrs. Allen never played Lady Macbeth. Her hair, almost as black as at twenty, is parted on her large fair forehead, and combed under her exquisitely neat and snowy cap; a muslin neckerchief, a grey stuff gown and a white apron complete the picture.
There she sits under an old elder-tree which flings its branches over her like a canopy, whilst the setting sun illumines her venerable figure and touches the leaves with an emerald light; there she sits, placid and smiling, with her spectacles in her hand and a measure of barley on her lap, into which the little girls are dipping their chubby hands and scattering the corn amongst the ducks and chickens with unspeakable glee. But those ingrates the poultry don't seem so pleased and thankful as they ought to be; they mistrust their young feeders. All domestic animals dislike children, partly from an instinctive fear of their tricks and their thoughtlessness; partly, I suspect, from jealousy. Jealousy seems a strange tragic passion to attribute to the inmates of the basse cour,—but only look at that strutting fellow of a bantam cock (evidently a favourite), who sidles up to his old mistress with an air half affronted and half tender, turning so scornfully from the barley-corns which Annie is flinging towards him, and say if he be not as jealous as Othello? Nothing can pacify him but Mrs. Allen's notice and a dole from her hand. See, she is calling to him and feeding him, and now how he swells out his feathers, and flutters his wings, and erects his glossy neck, and struts and crows and pecks, proudest and happiest of bantams, the pet and glory of the poultry yard!
In the meantime my own pet May, who has all this while been peeping into every hole, and penetrating every nook and winding of the dell, in hopes to find another rabbit, has returned to my side, and is sliding her snake-like head into my hand, at once to invite the caress which she likes so well, and to intimate, with all due respect, that it is time to go home. The setting sun gives the same warning; and in a moment we are through the dell, the field, and the gate, past the farm and the mill, and hanging over the bridge that crosses the Loddon river.
What a sunset! how golden! how beautiful! The sun just disappearing, and the narrow liny clouds, which a few minutes ago lay like soft vapoury streaks along the horizon, lighted up with a golden splendour that the eye can scarcely endure, and those still softer clouds which floated above them wreathing and curling into a thousand fantastic forms, as thin and changeful as summer smoke, now defined and deepened into grandeur, and edged with ineffable, insufferable light! Another minute and the brilliant orb totally disappears, and the sky above grows every moment more varied and more beautiful as the dazzling golden lines are mixed with glowing red and gorgeous purple, dappled with small dark specks, and mingled with such a blue as the egg of the hedge-sparrow. To look up at that glorious sky, and then to see that magnificent picture reflected in the clear and lovely Loddon water, is a pleasure never to be described and never forgotten. My heart swells and my eyes fill as I write of it, and think of the immeasurable majesty of nature, and the unspeakable goodness of God, who has spread an enjoyment so pure, so peaceful, and so intense before the meanest and the lowliest of His creatures.
THE COWSLIP-BALL.
May 16th.—There are moments in life when, without any visible or immediate cause, the spirits sink and fail, as it were, under the mere pressure of existence: moments of unaccountable depression, when one is weary of one's very thoughts, haunted by images that will not depart—images many and various, but all painful; friends lost, or changed, or dead; hopes disappointed even in their accomplishment; fruitless regrets, powerless wishes, doubt and fear, and self-distrust, and self-disapprobation. They who have known these feelings (and who is there so happy as not to have known some of them?) will understand why Alfieri became powerless, and Froissart dull; and why even needle-work, the most effectual sedative, that grand soother and composer of woman's distress, fails to comfort me to-day. I will go out into the air this cool, pleasant afternoon, and try what that will do. I fancy that exercise or exertion of any kind, is the true specific for nervousness. 'Fling but a stone, the giant dies.' I will go to the meadows, the beautiful meadows! and I will have my materials of happiness, Lizzy and May, and a basket for flowers, and we will make a cowslip-ball. 'Did you ever see a cowslip-ball, my Lizzy?'—'No.'—'Come away, then; make haste! run, Lizzy!'