"Then not a sound is heard. The knife is a silent fellow. Now what do you think?—that I can serve you?"
"No. I don't like the notion." Rigoletto was not half as daring of wicked deeds as he had been an hour before; the curse was still ringing in his ears.
"You have enemies, I judge," Sparafucile urged, shrewdly. "You'll regret not accepting my services."
"Nay. Be off. No, stay a moment! If I ever should need thee, where could I address thee?"
"You won't have to address me; you'll find me here each night."
"Well, be off, be off!" As a fact Rigoletto didn't much care to be seen with one of his own kind. But he looked after the coupe-jarret uneasily. "After all, we are equals, that fellow and I. He stabs in the dark—and so do I. I with my malicious tongue, he with his knife. Bah! I am all undone. I hear that old man's curse yet. How I hate them, all those nobles who hire me to laugh for them and to make them laugh! I haven't even a right to know sadness. It is my business in life, because I am born crooked, to make sport for these rats of fellows who are no better than I am. I am hired to bear the burden of their crimes. I wish they all had but one neck; I'd strangle them with one hand." Overwhelmed with the exciting scenes of the night, he turned toward the gate in his garden wall. As he opened it, Gilda ran out gaily to meet him. To her he was only the loving and tender father. She waited for his coming all day, and had no pleasure till she saw him.
"Oh, in this abode, my nature changes," the crooked little man murmured as he folded his daughter in his arms.
"Near thee, my daughter, I find all the joy on earth that is left me," he said, trying to control his emotion.
"You love me, father?"
"Aye!—thou art my only comfort."