Near to the walls of Sevilla
With my good friend Lillas Pastia
I'll soon dance the gay Seguidilla
And I'll drink manzanilla—
I'll go see my good friend Lillas Pastia!

José is disturbed. Carmen is conscious of it. She continues to sing, meanwhile coquetting with him. Before he is aware of his own mood, he has cut the cord that he bound her hands with, and has disgraced himself forever. In the fascination Carmen has for him, he has forgotten that he is a soldier. Presently Zuniga enters. Carmen is to be transferred in charge of José, with a guard detailed to go with him. It is arranged. Carmen also makes some arrangements.

"When we have started, and are about to cross the bridge, I'll give you a push. You must fall—you could not see me locked up—one so young and gay!—and when you fall I shall run. After you can get away, meet me at Lillas Pastia's inn." José seems to himself to be doing things in a dream. He has earned a court-martial already if it were known what he has done. A corporal's guard start under José; the bridge is reached. Carmen makes a leap; down goes José. The others are taken unawares and she rushes at them. They too fall, head over heels, one down the bank. Carmen is up, and off! She flies up the path, laughing at them as they pick themselves up.

"This is a good business, eh?" Zuniga sneers. "On the whole, Don José, I think you will shine rather better under lock and key, in the guard-house, than you will as a soldier at large. Men, arrest him!" he orders sharply, and José has made the first payment on the score Fate has chalked up against him.

ACT II

Flying to Lillas Pastia's inn, as she had agreed with José, Carmen is joined by her old comrades—smugglers and gipsy girls, chief of whom are Mercedes and Frasquita. It is late at night, and a carouse is in progress. Among those in the inn is Zuniga himself. As a matter of truth, he has fallen in love with Carmen on his own account, and has kept José under arrest in order to have him out of the way. There they are, all together, the gipsies playing on guitars and tambourines. The girls are mostly dancing. Carmen is coquetting with every man present, and the fun becomes a riot, so that the innkeeper has to interfere.

"It is so late, I've got to close up," he says. "You'll all have to clear out." Zuniga looks at Carmen. He wants to have a talk with her.

"Will you go with me?" he asks.

"I've no good reason for going with you," she answers, tantalizingly.

"Perhaps you're angry because I have locked José up," Zuniga suggests. "If you will make yourself agreeable, I don't mind telling you I have had him set free."