PLATE--THE HOLY NIGHT
This painting is not characteristic of Correggio's work, but nevertheless it is very beautiful. The brilliant warm light which comes from the Infant Jesus in His mother's arms is reflected upon the faces of those gathered about, and even illuminates the angelic group hovering above him. The slight landscape forming the background is also suggestive, and the conditions of the birth are indicated by the ass which may be seen in the middle distance. The faces of all are joyous yet full of wonderment, the whole scene intimate and human.
The picture is also called the "Adoration of the Shepherds," and that title best tells the story. See the shepherdess shading her face with one hand and offering two turtle-doves with the other. The ass in the distance is the one on which Mary rode to Bethlehem, and Joseph is caring for it. Even the cold light of the dawning day is softened by the beauty of the group below. This picture is in the Royal Gallery in Dresden.
PLATE--THE MYSTIC MARRIAGE OF ST. CATHERINE
The Infant Jesus sits upon His mother's lap, and places the ring upon St. Catherine's finger, while Mary's hand helps to guide that of her Child. This action brings the three hands close together and adds to the beauty of the composition. All of the faces are full of pleasure and kindliness, while that of St. Sebastian fairly glows with happy emotion. The light is concentrated upon the body of the Child and is reflected upon the faces of the women. This painting hangs in the Louvre.
Other great Correggio pictures are the "School of Cupid," which is more characteristic of his work; "Antiope," "Leda," "Danae," and "Ecce Homo."
XII
PAUL GUSTAVE DORÉ
French School
1833-1883
This artist died in Paris twenty-five years ago, but there is little as yet to be told of his life history. He was educated in Paris at the Lycée Charlemagne, having gone there from Strasburg, where he was born.