It is said that when he painted the "Retreat from Russia," Meissonier obtained the coat which Napoleon had worn at the time, and had it copied, "crease for crease and button for button." He painted the picture mostly out of doors in midwinter when the ground was covered with snow, and he writes: "Sometimes I sat at my easel for five or six hours together, endeavouring to seize the exact aspect of the winter atmosphere. My servant placed a hot foot-stove under my feet, which he renewed from time to time, but I used to get half-frozen and terribly tired."
So attentive was he to truthfulness in detail that he had a wooden horse made in imitation of the white charger of the Emperor; and seating himself on this, he studied his own figure in a mirror.
At last this conscientious man was made an officer of the Legion of Honour, having already become President of the Academy. Edmund About writes that "to cover M. Meissonier's pictures with gold pieces simply would be to buy them for nothing; and the practice has now been established of covering them with bank-notes."
Meissonier seldom painted the figure of a woman in his pictures, but all of his subjects were wholesome and fine.
One time an admirer said to him "I envy you; you can afford to own as many Meissonier pictures as you please!"
"Oh no, I can't," the distinguished artist replied. "That would ruin me. They are a good deal too dear for me."
In his maturity he became very rich, and his homes were dreams of beauty, filled with rare possessions such as bridles of black leather once owned by Murat, rare silver designed by the artist himself, great pictures, and flowers of the rarest description besides valuable dogs and horses. Yet it was said that "this man who lives in a palace is as moderate as a soldier on the march. This artist, whose canvases are valued by the half-million, is as generous as a nabob. He will give to a charity sale a picture worth the price of a house. Praised as he is by all he has less conceit in his nature than a wholesale painter."
On the 31st of January in his country house at Poissy, this great man, whose life reads like a romance, died, after a short illness. His funeral services were held in the Madeleine, and he was buried at Poissy, near Versailles, a great military procession following him to the grave.
PLATE--RETREAT FROM MOSCOW
In the painting of this picture we have already told how every detail was mastered by actual experience of most of them. Meissonier made dozens of studies for it--"a horse's head, an uplifted leg, cuirasses, helmets, models of horses in red wax, etc. He also prepared a miniature landscape, strewn with white powder resembling snow, with models of heavy wheels running through it, that he might study the furrow made in that terrible march home from burning Moscow. All this work--hard, patient, exacting work."