Yet, as Dosia lay there in the dumb stretches of the night, her tired eyes wide open, close to Redge’s crib, with his little hot hand clinging to hers, the mere fact of Girard’s bodily presence in the house, down-stairs, seemed something overpoweringly insistent; she couldn’t get away from it. It gave her, apparently, neither pleasure nor pain; it called forth no conscious excitement as had been the case with Lawson—unless this strange, rarefied sense was a higher excitement. This consciousness of his presence was, tiresomely enough, something not to be escaped from; it pulsed in every vein, keeping her awake. She tried to lose it in the thought of Lois’ great trouble, of this weighting, pitiful mystery of Justin’s absence—of what it meant to him and to the household; she tried to lose it in the thought of Lawson, with the prayer that always instinctively came at his name. Nothing availed; through everything was that wearing, persistent consciousness of Girard’s bodily presence down-stairs. If it would only fade out, so that she might sleep, she was so tired! The clock struck two. A voice spoke from the other room, sending her to her feet instantly:
“Dosia?”
“Yes, Lois, dearest, I’m here.”
“Has any word come from Justin?”
“No.”
Lois shivered. “I think, when Redge wakes up next, you’d better give him a drink of water, he sounds so hoarse. I’ve used all I brought up. Do you mind going down to get some more? I would go myself, but I can’t slip my arm from under baby; he wakes when I move. Here is the pitcher.”
“Yes,” said Dosia, stopping for a moment to pull the coverlet tenderly over Lois, before stepping out into the lighted hall.
It seemed very silent; there was no sound from below. Dosia went down the low, wide stairs with that indescribable air of the watcher in the night. Her white cotton gown, the same that she had worn throughout the afternoon, had lost its freshness, and clung to her figure in twisted folds; the waist was slightly open at the throat, and the long white necktie was half untied. One cheek was warm where it had pressed the pillow; the other was pale, and her hair, half loosened, hung against it. Her eyes, very blue, showed a rayed starriness, the pupils contracted from the sudden light—her expression, tired and half bewildered, had in it somewhat of the little lost look of a child, up in the unwonted middle of the night, who might go naturally and comfortably into any kind arms held out to her. The turn of the stairs brought her fronting the little drawing-room and the figure of Girard, who sat leaning forward, smoking, in the Morris chair, with his elbow resting on the arm of it and his head on his hand; the books and bric-à-brac on the table beside him had been pushed back to make room for the tray containing the coffee-pot, a cup and saucer, and a plate with some biscuits; a newspaper lay on the floor at his feet. Notwithstanding the light in the hallway and the room, there was that odd atmospheric effect which belongs only to the late and solitary hours of the night, when the very furniture itself seems to share in a chill detachment from the life of the day. Yet, in the midst of this night silence, this withdrawing of the ordinary vital forces, the figure of Bailey Girard seemed to be extraordinarily instinct with vitality, even in that second before he moved; his attitude, his eyes, his expression, were informed with such intense and eager thoughts that it was as startling, as instantly arresting, as the blast of a trumpet.
At the sound of Dosia’s light oncoming step opposite the door, he rose at once, and with a quick stride stood beside her. He seemed tall and unexpectedly dazzling as he confronted her; his deep set gray eyes were very brilliant.
“What is the matter? Is Mrs. Alexander ill?”