The proximity of Paris is evinced only by the vividly tinted automobiles that make Versailles their goal. Even they rarely tarry in the old town, but, turning at the Château gates, lose no time in retracing their impetuous flight towards a city whose usages accord better with their creed of feverish hurry-scurry than do the conventions of reposeful Versailles. And these fiery chariots of modernity, with their ghoulish, fur-garbed, and hideously spectacled occupants, once their raucous, cigale-like birr-r-r has died away in the distance, leave infinitely less impression on the placid life of Versailles than do their wheels on the roads they traverse. Under the grand trees of the wide avenues the townsfolk move quietly about, busying themselves with their own affairs and practising their little economies as they have been doing any time during the last century.
Perhaps it was the emphatic and demonstrative nature of the mourning worn that gave us the idea that the better-class female population of Versailles consisted chiefly of widows. When walking abroad we seemed incessantly to encounter widows: widows young and old, from the aged to the absurdly immature. It was only after a period of bewilderment that it dawned upon us that the sepulchral garb and heavy crape veils reaching from head to heel were not necessarily the emblems of widowhood, but might signify some state of minor bereavement. In Britain a display of black such as is an everyday sight at Versailles is undreamt of, and one saw more crape veils in a day in Versailles than in London in a week. Little girls, though their legs might be uncovered, had their chubby features shrouded in disfiguring gauze and to our unaccustomed foreign eyes a genuine widow represented nothing more shapely than a more or less stubby pillar festooned with crape.
But for an inborn conviction that a frugal race like the French would not invest in a plethora of mourning garb only to cast it aside after a few months' wear, and that therefore the period of wearing the willow must be greatly protracted, we would have been haunted by the idea that the adult male mortality of Versailles was enormous.
"Do they wear such deep mourning for all relatives?" I asked our hotel proprietor, who had just told us that during the first month of mourning the disguising veils were worn over the faces.
Monsieur shook his sleek head gravely, "But no, Madame, not for all. For a husband, yes; for a father or mother, yes; for a sister or brother, an uncle or aunt, yes; but for a cousin, no."
He pronounced the no so emphatically as almost to convince us of his belief that in refusing to mourn in the most lugubrious degree for cousins the Versaillese acted with praiseworthy self-denial.
There seemed to be no medium between sackcloth and gala-dress. We seldom noted the customary degrees of half-mourning. Plain colours were evidently unpopular and fancy tartans of the most flamboyant hues predominated amongst those who, during a spell of, say, three years had been fortunate enough not to lose a parent, sister, brother, uncle, or aunt. A perfectly natural reaction appeared to urge the ci-devant mourners to robe themselves in lively checks and tartans. It was as though they said—"Here at last is our opportunity for gratifying our natural taste in colours. It will probably be of but short duration. Therefore let us select a combination of all the most brilliant tints and wear them, for who knows how soon that gruesome pall of woe may again enshroud us."
Probably it was the vicinity of our hotel to the Church of Notre Dame that, until we discovered its brighter side, led us to esteem Versailles a veritable city of the dead, for on our bi-daily walks to visit the invalids we were almost certain to encounter a funeral procession either approaching or leaving Notre Dame. And on but rare occasions was the great central door undraped with the sepulchral insignia which proclaimed that a Mass for the dead was in prospect or in progress. Sometimes the sable valance and portières were heavily trimmed and fringed with silver; at others there was only the scantiest display of time-worn black cloth.