Elec. Centre of fondness in thy father’s hall,
Tear-watered hope of blessings yet to be,
Faith in thy might shall win thee back thy home!
Oh how I joy beholding thee! Thou hast
Four parts in my desires, not one alone.
I call thee Father: and my mother’s claim
Falls to thy side, since utter hate is hers.
And my poor butchered sister’s share is thine.
And I adore thee as my own true brother.
But oh! may holy Right and Victory,
And highest Zeus, the Saviour, speed thee too![[16]]
Then Orestes plainly declares the reason for his return, and taking up Electra’s prayer to Zeus, he cries for help in the vengeance to be accomplished for his father. He claims that he has a direct mandate from Apollo.
Ores. ... Apollo’s mighty word
Will be performed, that bade me stem this peril.
High rose that sovran voice, and clearly spake
Of stormy curses that should freeze my blood,
Should I not wreak my father’s wrongful death.
He bade me pay them back the self-same deed
Maddened by loss of all: yea, mine own soul
Should know much bitterness, were not this done.
... For one so slain
Sees clearly, though his brows in darkness move!—
The darkling arrow of the dead, that flies
From kindred souls abominably slain ...
Should harass and unman me ...
... I should have no share
Of wine or dear libation, but, unseen,
My father’s wrath should drive me from all altars.[[16]]
Thus the command of Apollo was clear, definite, and imperative; and the oracular utterance carried with it terrible penalties, should these two children of the murdered king dare to disobey. Yet we feel, all through Orestes’ speech, that the conflict is warring within him too. He cannot accept the mandate implicitly. In the emphasis that he lays on his authority, in the precise repetition of the very words of the oracle, in the horror with which he enumerates the threatened punishments, we know that he is trying to fortify himself against fear and horror at the deed. Now that he comes close to his actual purpose, a strange new questioning spirit arises which he strives to appease—a shuddering reluctance which compels him to throw himself back upon the divine mandate. “Was not this a word to be obeyed?” he asks; and then, “Yea! Were it not, the deed must yet be done.”
But struggle as Orestes may, the doubt will not be quelled. The crime of mother-murder which they contemplate starts up before them in all its hideous barbarity; and the burden imposed on Orestes is more than he can bear. As we know, it will lead him ultimately to madness. All through the kommos which follows, a long and sublimely mournful hymn chanted alternately by Orestes, Electra and the Chorus, the brother and sister seem to be battling with this question of the righteousness of their action. They appeal to Zeus and to the powers of the nether world: they cry to the spirit of their father: they remind each other of the cruelty and shamelessness of Clytemnestra: they recall the greatness of Agamemnon, and contrast it with his ignominious end: they dwell upon the wrongs done to Electra, and the sin of Egisthus, and the curse upon their house. The wave of emotion rises and falls. At one moment a solemn confidence reassures them that the vengeance is righteous; at another, the doubt sweeps back and shatters their assurance, and again they are driven to bewail their wrongs and invoke the name of Justice.
Ores. Father, no word of mine, no deed may bring
Light to the darkness where thou liest below:
Yet shall the dirge lament thy matchless woe,
And grace the tomb of Argos’ noblest king....
Elec. Hear me, too, father, mourning in my turn;
Both thine afflicted ones towards thee yearn.
Both outcasts, both sad suppliants at thy tomb.
What dawn may pierce this overwhelming gloom?...
Ores. Where is your power to save,
Lords of the grave?
Oh curse, of endless might,
From lips long lost to light,
We, last of Atreus’ race
Implore thy dreadful grace,
Reft of our halls, and outlawed from our right,
Zeus, whither should we turn?[[16]]