“Blind, who once had seeing eyes,
Beggared, who once had riches, in strange guise,
His staff groping before him, he shall crawl
O’er unknown earth.“[[22]]
To the infuriated king this frightful menace, like the crimes of which he is accused, seems to be the mere raving of madness; and he deigns no answer. The old man is led away; Œdipus enters the palace; and in the pause that follows the Chorus muse over the scene. They are bewildered and torn by doubt. They may not disbelieve the seer, but they cannot and will not believe that their beloved king has been guilty of deeds so vile. As they sing, Creon rushes on indignant; and he is followed a moment afterward by Œdipus. Here at last is an opportunity to strike out against the deadly thing which seems closing in around him. Creon is no old and blind opponent, before whose weakness his hands are tied; but a man of equal strength and rank whom, in his rashness, he believes to be his bitter enemy. Without a word of prelude or explanation, Œdipus flings down the gauntlet; and declares Creon, his comrade and the brother of his wife, to be a traitor. The charge is false and foolish, to every mind but that of the overwrought king. But reason cannot sway him now; Creon’s protests are futile, and his proofs of innocence mere words bereft of meaning. This knave who has plotted against him must die, and quickly, before his schemes can take effect. In vain Creon pleads for justice: in vain the leader of the Chorus tries to stem the king’s anger, With a rallying cry to his guards, Œdipus draws his sword upon Creon. But as he springs to the blow there suddenly appears in the doorway of the palace, Jocasta the queen. An immediate silence falls: weapons are lowered; and the queen advances slowly to the top of the palace steps. The Chorus move back, leaving Œdipus and Creon standing alone before her. She looks reproachfully into one shamed face after another and then, with gentle dignity, she speaks:
“Vain men, what would ye with this angry swell
Of words heart-blinded? Is there in your eyes
No pity, thus, when all our city lies
Bleeding, to ply your privy hates?... Alack,
My lord, come in! Thou, Creon, get thee back