The eyes of the unhappy spirit for the first time lighted up with a gleam of pleasure as they fell upon the children, and her conductor noted the sign with a joyous heart. Suddenly the woman screamed, sprang forward, and clasped one of the little ones to her breast. It was the little waif who not long since had been brought hither. “My child! my child! my darling child!” exclaimed the spirit, as tears of joy rained down her pallid face, “have I found you at last! have I found you!”

It was a scene to make angels weep, and tears of sympathy stood in the eyes of more than one of that celestial company. It transpired that the poor, suffering woman was the mother of that little child; that, at the time the child had attained the age of three years, the mother met with an accident that hurled her spirit from the body, and from that time to the present moment she had been roaming in darkness, seeking for the child she had lost.

The little one was allowed to accompany her teacher and her new-found mother to a pleasant, quiet retreat where, under the spell of her darling’s presence, and the kindly care of ministering attendants, her spirit is rapidly arising above the clouds of sorrow, degradation and woe, and emerging into the light of happiness and peace,—is unfolding its higher powers to such a degree that we feel certain, in a very little while, she will herself become a helper, teacher, and beneficent spirit to those who travel in darkness and woe.

The beautiful white temple that uprears its shining dome in the center of that delightful garden of which I have spoken is a massive structure, elegant in appearance, and marvelous in construction. No description of mine could do it justice; it must be seen in order to receive all the admiration which it merits. Dedicated to the Arts, it is itself a master-piece of art, and stands a fitting testimonial to the wonderful design and skill of the artists who planned and executed it in all its details. The material of which this pile is composed is like alabaster, snowy white, but so nearly transparent that, when the sun’s rays strike directly upon it, it glows with all the colors of the rainbow, and presents a brilliant appearance. Delicate carvings of vines and flowers, birds and insects, are traced upon its corner walls, showing evidences of the work of a master-hand. Within are spacious halls dedicated to the Muses, each of which is used as an instruction hall, where knowledge of the particular art to which it is consecrated is imparted and received. The halls of Music, of Painting, of Sculpture, of Poesy, of designing and tracing, are to be found here, presided over by master-artists, who pay especial attention to their pupils, believing that it is better to inspire or to assist in cultivating the powers of another than to create any piece of artistic work themselves.

CULTIVATION OF INHERENT TALENTS.

To this temple are brought the children, in order to ascertain whether or not they have any taste, talent, or genius for practicing any of the fine arts. Here, where all is beautiful, whether of sight or sound, appealing alike to the harmonious instinct and the love of the beautiful within the soul, any especial gift that the child may have in the direction of music, poesy, etc., speedily shows itself, and he or she is taken in charge by some competent teacher who bends all his or her energies in the direction of drawing out or unfolding the talents of the pupil. A child who manifests a passion for music, but takes no interest in drawing or painting, is allowed to devote his time to the cultivation of his musical powers, and is not required to waste energy and patience over the vain task of trying to learn the rules of perspective, light and shade, and coloring. One who exhibits a taste for carving and molding, but cares little for music, is not obliged to throw away time over the distasteful labor of practicing with voice and instrument, but is assisted to unfold the natural powers of his soul. Another is attracted to painting, but has no desire to attempt to carve a statue; another is exercised over the rhymes and metric measures of poetry, but has no gift in the other departments of art. These are encouraged and taught how to develop their God-given powers, and are not requested to attempt any labor for which they have no taste. Children who are found to exhibit no taste for, or attraction toward, any of the arts, but to have a gift for the outworking of and desire to study other branches of knowledge, are permitted to follow the guidance of their tastes or deeper natures, and are not expected to spend time over the study of those artistic rules for which they have no attraction.

Therefore, you will at once perceive that the work of each spirit is that for which they are naturally adapted; it becomes congenial to them, consequently is agreeable. They love to pursue it, and bring forth the best possible results from it.

There are many temples of art in the spirit world, as there are many schools, academies, colleges of learning, etc. Education is the great power that is to uplift and bless humanity, and in the higher life the best forms of enlightenment are afforded freely unto all. The beautiful white temple in the great garden, where the neglected, cast-off children from earth are taken to be cared for, opens its glowing portals to those little ones who, had they remained in the bodily form, would have had no advantages of education or for spiritual unfoldment. Many of these exhibit a marked inclination toward the development of artistic powers, and under the favorable conditions afforded them begin early to show signs of talent to an astonishing degree.

Encouraged to learn, stimulated to emulation by advice, example, and assistance, they readily follow the teachings of their instructors, and in a surprisingly brief space of time—considering all the circumstances of their early life—their efforts to accomplish something are crowned with success. Thus, under proper conditions, all the spiritual attributes and faculties of an immortal soul may become unfolded, displaying a degree of refinement, beauty, culture, and power of which humanity at present but little dreams.

CHAPTER XIII.
SURROUNDINGS AND CONDITIONS OF SPIRITS.