But the above description of the plays gives no adequate idea of what can be made of them, such as the Kindergartner obtains at the Normal class; for they are much more than bodily exercises. It is wonderful to see what is made of them, in such a Kindergarten as that of Madame Vogler in Berlin, where the conversations before beginning, and in the pauses for rest, call the children's attention to the facts and processes of nature and art, symbolized by the plays.
The words and music are taught very carefully, and the dancing is gentle, so that there may be exhilaration without fatigue.
The object-lessons involved in the plays are those which especially belong to the Kindergarten, because their aim is not so much to open the intellect to science, as to give moral training. The latter is ever to be kept in advance of the former; for it is the tree of life, whose fruits—if they are first eaten—will render harmless and salutary those of the tree of knowledge.
I was not unaware of this when I began my own Kindergarten; and the very first thing I did, was to give an object lesson, which was, as I afterwards found, exactly in the spirit of Froebel. When the children were assembled the first day, in my very pleasant room, looking full of expectation, I went forward with a beautiful rose-tree in a little flower-pot, and said, "Come, and I will show you what is beautiful. It is a rose fully blown. Now say the words—all of you—after me; and I said again, 'It is a rose fully blown.'" They all repeated these words with glad voices, and then each following sentence of that beautiful prose hymn of Mrs. Barbauld. I especially noted the smiling eyes and lips, as they repeated,—
"He who made the rose is more beautiful than the rose.
"It is beautiful, but He is beauty."
Another day a basket of roses was handed round to the children; and, when each had one in hand, this recitation was renewed.
After it was over, I said, "What did God make the rose for?" They all smiled, as if conscious of knowing; and one, more courageous than the rest, said, "To give us pleasure;" followed by a dear little utilitarian, who said, "To make rose-water." I added, "Yes; and the rose-water gives us pleasure, too, because it has a sweet smell, and a sweet taste, besides. Is not God very good to give us roses to look at and smell; and to make into rose-water, after they are all faded and fallen to pieces? What is the reason that God makes things to give us pleasure? Could we not have lived very comfortably without flowers?" They answered spontaneously, "Because God loves us." "What else does the dear God give us to make us happy?" Different children answered, and spoke of different flowers, and of other things which gave them pleasure, and thus they were put into a grateful mood, without a word said about the duty of gratitude to God; for love of God comes spontaneously, when he is conceived aright, and forecloses the thought of duty. But duty to our fellow-creatures should always be suggested when the heart is overflowing with gratitude to the common Father. I went on asking such questions as "Do you love anybody? what do you do to make people happy that you love? what would you like to do with your rose? Do sick people like to have flowers? do you know any sick person? do you like to do the same kind of things God does? do you think God wants you to make your friends happy? and all happy whom he loves?" The roses were then gathered into a shallow basin of water, to be preserved till school should be over, and they could go and bestow them as they had severally suggested; for it is important to make children do whatever of kindness they think of, not idly sentimentalize.
Other lessons, on the material origin of the rose, the planting, the process of growth, and even the making of rose-water, opened up; and Mrs. Barbauld's prose hymns afforded other subjects for similar lessons, as well as whatever other hymns they learned to recite or sing; and I took great care that no hymns should be sung that did not admit of being made intelligible to their hearts and imaginations.
Moral training is effected by taking care in the plays to keep the children in the mood of mutual accommodation, by showing them how this is necessary for the beauty of the play. There is also a great opportunity in the playing, to check all selfish movements, by appeals to sympathy and conscience, which is the presentiment of reason, and forefeeling of moral order, for whose culture material order is indispensable; and order must be kept by the child intentionally, that it may cultivate the intellectual principle of which it is the manifestation. Some plan of play prevents the little creatures from hurting each other, and fancy naturally furnishes the plan,—the mind unfolding itself in fancies, which are easily quickened and led in harmless directions by an adult of any resource. Children delight to personate animals; and a fine genius could not better employ itself than in inventing a great many more plays, setting them to rhythmical words, describing what is to be done. Kindergarten plays are easy intellectual exercises; for to do anything whatever with a thought beforehand, develops the heart or quickens the intelligence; and thought of this kind does not tax intellect, or check physical development, which last must never be sacrificed in the process of education.