[CHAPTER IX]
Conclusion
A new little boy came two years ago into our story-book world. When Miss North, taking Ezekiel by the hand, led him into her school-room,[1] we met a child full of what we call temperament; dreaming quaint stories, innocently friendly, anxious to please for affection's sake, in his queer, unconscious way something of a genius. We saw his big musing eyes looking out upon a world in which his teacher stood serene and reasoning, but a little cold like her name; his friend, Miss Jane, kind and very practical; his employer, Mr. Rankin, amused and contemptuous; all watching him with the impersonal interest with which one might view a new species in the animal world. For Ezekiel, unlike our other story-book boys, had a double being, he was first Ezekiel Jordan, a little black boy, and second, a Representative of the Negro Race.
Ezekiel was too young to understand his position, but the white world about him never forgot it. When he arrived late to school, he was a dilatory representative; when, obliging little soul, he promised three people to weed their gardens all the same afternoon, he was a prevaricating representative. He never happened to steal ice-cream from the hoky-poky man or to play hookey, but if he had, he would have been a thieving and lazy representative. Always he was something remote and overwhelming, not a natural growing boy.
Ezekiel's position is that of each Negro child and man and woman in the United States today. I think we have seen this as we have reviewed the position of the race in New York; indeed, the very fact of our attempting such a review is patent that we see and feel it. We white Americans do not generalize concerning ourselves, we individualize, leaving generalizations to the chance visitor, but we generalize continually concerning colored Americans; we classify and measure and pass judgment, a little more with each succeeding year.
Now if we are going to do this, let us be fair; let us try as much as possible to dismiss prejudice, and to look at the Ezekiels entering our school of life, with the same impartiality and the same understanding sympathy with which we look upon our own race. And if we are to place them side by side with the whites, let us be impartial, not cheating them out of their hard-earned credits, or condemning them with undue severity. Let us try, if we can, to be just.
When we begin to make this effort to judge fairly our colored world, we need to remember especially two things: First, that we cannot yet measure with any accuracy the capability of the colored man in the United States, because he has not yet been given the opportunity to show his capability. If we deny full expression to a race, if we restrict its education, stifle its intellectual and æsthetic impulses, we make it impossible fairly to gauge its ability. Under these circumstances to measure its achievements with the more favored white race is unreasonable and unjust, as unreasonable as to measure against a man's a disfranchised woman's capabilities in directing the affairs of a state.[2]
The second thing is difficult for us to remember, difficult for us at first to believe; that we, dominant, ruling Americans, may not be the persons best fitted to judge the Negro. We feel confident that we are, since we have known him so long and are so familiar with his peculiarities; but in moments of earnest reflection may it not occur to us that we have not the desire or the imagination to enter into the life emotions of others? "We are the intellect and virtue of the airth, the cream of human natur', and the flower of moral force," Hannibal Chollup still says, and glowers at the stranger who dares to suggest a different standard from his own. Hannibal Chollup and his ilk are ill-fitted to measure the refinements of feeling, the differences in ideals among people.
This question of our fitness to sit in the judgment seat must come with grave insistence when we read carefully the literature published in this city of New York within the past two years. Our writers have assumed such pomposity, have so revelled in what Mr. Chesterton calls "the magnificent buttering of one's self all over with the same stale butter; the big defiance of small enemies," as to make their conclusions ridiculous. Ezekiel entering their school is at once pushed to the bottom of the class, while the white boy at the head, Hannibal Chollup's descendant, sings a jubilate of his own and butters himself so copiously as to be as shiny as his English cousin, Wackford Squeers. Then the writer, the judge, begins. Ezekiel is shown as the incorrigible boy of the school. He is a lazy, good-for-nothing vagabond. Favored with the chance to exercise his muscles twelve hours a day for a disinterested employer, he fails to appreciate his opportunity. He is diseased, degenerate. His sisters are without chastity, every one, polluting the good, pure white men about them. He is a rapist, and it is his criminal tendencies that are degrading America. The pale-faced ones of his family steal into white society, marry, and insinuate grasping, avaricious tendencies into the noble, generous men of white blood, causing them to cheat in business and to practise political corruption. In short there is nothing evil that Ezekiel is not at the bottom of. Sometimes, poor little chap, he tries to sniffle out a word, to say that his family is doing well, that he has an uncle who is buying a home, and a rich cousin in the undertaking business, but such extenuating circumstances receive scant attention, and we are not surprised to find, the class dismissed, that Ezekiel and the millions whom he represents, are swiftly shuffled off the earth, victims of "disease, vice, and profound discouragement."
Now this is not an exaggerated picture of much that has recently been printed in newspaper and magazine, and does it not make us feel the paradox that if we are to judge the Negro fairly, we must not judge him at all, so little are we temperamentally capable of meeting the first requirement?
"My brother Saxons," says Matthew Arnold, "have a terrible way with them of wanting to improve everything but themselves off the face of the earth." And he adds, "I have no such passion for finding nothing but myself everywhere." Among our American writers a few, like Arnold, do not care to find only themselves everywhere, and these have told us a different story of the American Negro. They are poets and writers of fiction, men and women who are happy in meeting and appreciating different types of human beings.[3] If these writers were to instruct us, they would say that we must individualize more when we think of the black people about us, must differentiate. That, too, we must remember that when we pass judgment, we need to know whether our own standard is the best, whether we may not have something to learn from the standards of others. Supposing Ezekiel is deliberate and slow to make changes or to take risks; are we who are "acceleration mad," who acquire heart disease hustling to catch trains, who mortgage our farms to buy automobiles, who seek continually new sensations, really better than he? Is it not a matter of difference, just as we may each place in different order our desires, the one choosing struggle for power and the accumulation of wealth, the other preferring serenity and pleasure in the immediate present? And lastly, after having praised our own virtues and our own ideals, must we not beware that we do not blame the Negro when he adopts them, that we do not turn upon him and fiercely demand only servile virtues, the virtues that make him useful not to himself but to us?[4]