Voltaire brought with him his newly written tragedy of "Irene." He had the notion indelibly impressed, that, to secure his position in Paris, he must acquire popularity; and that a successful tragedy was the sure means of acquiring it. In the present instance he did not need such support. No conqueror, returned from enslaving a province, was ever received with such enthusiastic marks of triumph. La Harpe well observes, that the generation who had witnessed Voltaire's earlier struggles and clouded fame, had nearly died away; all those born during the space of the last forty years found the world full of his fame. His persecutions, his mode of life, his attacks on religion and on persons, the mischief he had caused, and the good he had done, were the chief topics of interest: more than all, the brilliancy of his genius dazzled, its versatility delighted mankind. Even his pettishnesses, his whims, his follies, ever varying and upheld by him with earnestness and vigour, kept alive public attention. That this man, the subject of all tongues and all pens, should emerge from his seclusion among the Alps, and, in his eighty-fifth year, come to take his part in society, and gather the applause of a theatrical audience, excited, nearly to frenzy, the curiosity, the admiration, and interest of every inhabitant of Paris.
Condorcet, who witnessed his arrival, in his "Life of Voltaire," madame du Deffand, in her "Letters to Horace Walpole," and Grimm, in his "Literary Correspondence," give a vivid picture of this last triumphant but fatal visit to Paris. He arrived in good health; though his first note to madame du Deffand said, "I arrive, dying; and only wish to revive to throw myself at your feet." He received all his friends with cordiality and gaiety, and delighted them with the charm that belonged to his manners. All Paris pressed to see him; his apartment was never empty: he received more than 300 persons, one after the other, and had something witty and agreeable to say to all. Meanwhile, as he was in reality afflicted by a weakening and very painful disease, his more familiar friends began to tremble for the result of this new and exciting scene. "I paid him my second visit yesterday," writes madame du Deffand, "on the 22d of February. It was not so agreeable as the first. We were received by his niece, who is certainly the best woman in the world, but the most tiresome; by M. de Villette, who is the dullest man, and his young wife, who, they say, is amiable, and goes by the name of Belle et Bonne with Voltaire and his friends. We did not find him in the drawing-room; he was shut up with his secretary, and begged me to wait. His friends told me that he was overwhelmed with fatigue; that he had read the whole of his tragedy that afternoon to the actors, and had made them rehearse, and was so exhausted that he could scarcely speak. I wished to go away; but they detained me, and Voltaire sent me four lines he had made on his statute by Pigal, to engage me to remain. After a good quarter of an hour he came in. He said that he was dead—that he could not speak. I offered to leave him; but he would not let me. He spoke to me of his play. He has no other subject in his head: it has caused him to come to Paris, and it will kill him if it does not succeed."
Nor was his tragedy his only subject of anxiety. He was told that Louis XVI. had asked, on hearing of his arrival, if the interdiction to his residence in Paris had ever been taken off. A question which seemed to show his disapprobation; but the young queen and her friends, and the count d'Artois, were borne away by the stream of fashion and friendlily inclined. A few days after his arrival he fell ill. His mode of life in Paris was very different from that which he led at Ferney; there he was subject to none of the calls of society; he saw few visitors, and left madame Denis to do the honours of the house—enjoying in his own person the most entire liberty, passing the greater part of his day in bed, or in study; at other times walking in his grounds and over his estate, directing the improvements and enjoying the pleasure of creating his colony, and witnessing its prosperity. His new mode of life deranged his health, a vomiting of blood came on, and his life was in danger. The vivacity of the French disposition was shown at this moment. All Paris was in alarm. The priests gathered round—Voltaire thought it right to quiet them by making a profession of faith. How far the all-seeing and infinitely pure Being can be propitiated by a falsehood on the lips of a dying man, may be considered doubtful; but the clergy thought more of their own temporal victory than the higher questions of religion and morality. These might have been satisfied by a declaration given by Voltaire to a friend, which said, "I die worshipping God, loving my friends, not hating my enemies, and detesting superstition." Nor was this the only disquiet that attended his sick-bed: his friends quarrelled round it concerning the physicians who attended, and wrangling and dissension—the fruits of the vanity, not the affection, of his friends—disturbed the peace necessary for his convalescence.
The vital principle was still strong, and he recovered. He made use of his renewed strength to visit the academy, and to be present at the representation of his tragedy. The enthusiasm was at its height. He was almost crushed to death both at the Louvre and the theatre, notwithstanding the exertions of the soldiers to keep a passage clear. The academicians received him rather as the sovereign of literature than as an equal. At the theatre his reception was still more flattering. His bust was crowned on the stage, and the audience were in a transport of delight; tears of enthusiasm and joy marked the feeling of the spectators, who saw his attenuated figure with sorrow, and every one was eager to offer him assistance when he left the theatre. His triumph failed only in that the court still looked askance on him; and his very presence in Paris was rather connived at than permitted. Still the manifestations of public favour might satisfy a man even insatiable of applause. He was deeply touched. "They wish to smother me with roses," he exclaimed, as he felt his feeble frame sink from exhaustion.
At this moment, at the very zenith of human glory,—when the whole population of the then most civilised capital in the world seemed to breathe his name only, to see him only in the world, to crowd round him in admiration and triumph,—and while their cry, "There is the saviour of the Calas," rewarded him for his benevolent exertions,—then, had he retired to his tranquil seclusion at Ferney, he might have prolonged his existence. But this he was not permitted to do. Madame Denis was heartily tired of the mountain solitude, which, as Voltaire grew older and more averse to show himself, became a complete seclusion. He earnestly desired to return; but, day after day, the solicitations of his friends induced him to prolong his stay. His secretary, Wagner, gives a lively picture of the struggles between him and his niece. The physician, Tronchin, had begged Voltaire to return to Ferney. "You must feel," he said, "that a tree transplanted at eighty-four years of age must perish." "Am I able to support the journey?" asked the old man. "Yes, I answer for it on my head," said Tronchin; and Voltaire, charmed with the prospect, gave instant orders for his departure. Madame Denis argued against it. "I must return," he replied. "I adore the country; it gives me new life. You, who detest it, can remain here, and amuse yourself." "Who told you that I hated it?" asked his niece. "My experience," he replied quickly and sternly.
The cabals which formed the spirit of French society in those days multiplied to keep the old man in Paris. He was induced to buy a house; but he made the purchase more for madame Denis than himself, and said "that instead of a dwelling he had bought a tomb." He still persisted, while he was in Paris, in attending the academy, where he wished to introduce the plan of a new dictionary, and in interesting himself with theatrical concerns. He drank coffee to support himself when he felt his strength failing; and this producing fever and pain, he took opium to procure calm. Soon his illness took a dangerous turn, and no remedies could alleviate it; a mortification came on, which caused him unspeakable agonies. At length, he fell into a state of exhaustion and torpor, and died on the 30th of May, 1778.
According to the scandalous custom of the French clergy, impediments were raised to his decent interment. To baffle these, his death was kept secret for several days. A grave was denied him in the parish where he died, and the body was transported to the Abbey de Scellieres, in the diocese of Troyes, belonging to his nephew, and buried in the church. A stone was placed above, bearing the words, only—"CI-GIT VOLTAIRE." At the same time orders were issued by the government forbidding the newspapers to comment on his death either for praise or blame; the actors to represent his plays; and the masters of schools to allow their pupils to learn his verses. Such arbitrary and puerile acts always destroy themselves, and add to, instead of detract from, the reputation of the man against whom they are levelled.
Other governments showed more liberality. Catherine of Russia, who had corresponded with him, and whom he had held up to the admiration of the world, openly mourned his death. His old friend Frederic of Prussia caused his academy to hold a meeting in his honour, during which an elaborate eulogium, written by himself, was pronounced.
The character of Voltaire is displayed in the preceding pages. He was a zealous, a warm, and constant friend. When Thiriot acted weakly and injuriously—sending to Frederic of Prussia the libels published against his friend—madame du Châtelet and others implored him to renounce him; but Voltaire, while he reproved, let no word of unkindness escape. In later days, d'Alembert wrote to tell him that the duke de Richelieu was acting a false part by him, and prevented his plays from being acted. Voltaire could not be touched in a more sensitive place; but he replied, "that such might be true, but that he could not quarrel with a friend whom he had known for fifty years." He was, it is true, a rancorous enemy—never pardoning, but visiting any injury done him with the severest retaliation of sarcasm and ridicule. He was singularly benevolent and generous. His letters are crowded with instances. His exertions in favour of the oppressed have been partly recorded in the preceding pages; it would require many more to commemorate every instance of his active and enlightened benevolence. When, on the death of Louis XV., he thought he could get annulled the sentence against the chevalier d'Etallonde, he procured his leave of absence from the king of Prussia, supplied him with money for his journey to Ferney, and kept him there a year, while he vainly exerted his utmost influence in his favour. He bitterly deplored his failure. The spectacle of injustice filled him with anguish. His mind endured torture from the sense of injury done others, and he felt it imperative to prevent or repair crime. The sight, the idea only, of a triumphant or unpunished oppressor, excited the liveliest emotions of compassion and indignation in his sensitive and proud spirit. His private benevolence was not less active. The bookseller Jore, whose imprudence and want of fidelity had endangered his liberty, applied to him in distress, and was relieved, with expressions of kindness. A friend died in Paris; his wife, who had been living separate from him, seized on all he left, and an old and faithful servant was left destitute. Voltaire instantly made her an allowance. We might multiply such instances; and while this sad world is filled with the needy, the afflicted, and the oppressed, it is impossible not warmly to admire a man who sympathises in the necessities of his fellow-creatures and alleviates their sufferings.
The great and lasting blame attached to him arises from the inveterate and bitter hostility he expressed to Christianity. The texture of his mind partly occasioned this. He was incapable of understanding or feeling the sublime, the simple, and the pure. The poetry of the Bible was a dead letter to him; and this may be the more readily accounted for, as the living French poet, La Martine, whose nature is pious and reverential, mentions that he never felt its sublimity till a few years ago, when translated by his friend M. de Genoude. Impurity and grossness was also a part of Voltaire's nature; and these led him to depreciate the beauty of the Saviour's character, and the morality of the gospel.