Lives of the most eminent literary and scientific men of France, Vol. 2 (of 2)

by Mary Wollstonecraft Shelley

The last days of Mirabeau were divided between agonising pain and calm and affectionate conversation with his friends. While he hoped to recover, he gave up all his thoughts to his cure; and even refused to receive his friends, that the remedies might have a fairer chance. But, when he felt the sure approach of death, he was eager to have them around, and talking with them, holding their hands, and looking affectionately on them, found deep enjoyment in the consciousness of their sympathy and love. Already he spoke of himself as dead—with great reluctance he allowed another medical man to be called in, whose remedies proving ineffectual, Mirabeau said, "You are a great physician, but there is one greater than you; he who created the wind that destroys all—the water that penetrates and produces all—the fire that vivifies or decomposes all." He heard with emotion of the demonstrations of affection made by the people. His last hours were marked by mingled philosophy and gaiety: he called his friends about him, and discoursed of himself and public affairs, with a view to futurity after he was gone; he made his will—the legacies of which the count de Lamark, who had been his means of communication with the court, promised should be paid. The visit of his enemy, Barnave, who came in the name of the jacobins to inquire concerning him, afforded him pleasure. He gave M. de Talleyrand a discourse he had prepared for the tribune; and, speaking of Pitt, he said "he is a minister of preparations, and governs by threats: I should have given him some trouble had I lived." He felt the approach of his last hour. "I shall die to-day, my friend," he said, to Cabanis; "no more remains than to crown one's self with flowers, and surround one's self with music, so to pass peacefully into eternal sleep." Hearing the report of cannon, fired for some ceremony, he exclaimed, "Hark! the funeral rites of Achilles are begun!" As he lost his speech, he yet smiled softly and serenely on his friends. The spasms returned with renewed violence. Unable to speak, he wrote, asking, that opium might be given him to appease them; but, before he could take it, he was no more. His death took place on the 20th of April, 1791, at the age of forty-two. The news quickly spread through the court, the town, the assembly. Every party had placed their hopes in him, and he was mourned by all except such as might envy his fame. On hearing the fatal intelligence, the assembly interrupted its sitting; a general mourning was ordered, and a public funeral.

He was buried in the Pantheon (formerly church of Sainte Geneviève), which had been dedicated "Aux grands hommes la patrie reconnoissante;" and Mirabeau was the first buried there. His funeral took place on the morrow of his death. The ministers and magistrates, the assembly, the army, the municipalities, in short, the members of every public institution, accompanied the procession. He was more numerously and honourably attended, and he was more sincerely mourned, than kings and princes had been, or than any other great man of his own times. During the reign of terror his remains were torn from the tomb, and scattered to the winds, as those of a traitor to the nation.

The peculiarity of Mirabeau, as we before remarked, was the union of great genius with impetuous passions. The last, manifesting themselves in boyhood, in a family which, while the members were remarkable for vehemence in themselves, exacted the most entire filial obedience from their offspring, caused him to be opposed, persecuted, and oppressed. Seventeen lettres de cachet had been issued against him, while he felt that his crimes were rather errors in which the public or the state had no concern. Shut up in a narrow fortress or narrower cell, his hatred of tyranny was strongly excited, and he sought in his writings to express it; and, when the occasion offered, he combated it with impetuous eloquence and determined resistance. At that time, aware how much his influence was lessened by the errors of his youth, he had been known, when he felt his progress checked by the disrepute in which his private character was held, to weep, and to exclaim, "I cruelly expiate the errors of my youth!"

With all his errors he was a warm and kind-hearted man, and gifted with undaunted courage. During his political career, his enemies were perpetually endeavouring to embroil him in duels, which he avoided without the most distant suspicion of cowardice being attached to him. He was a man of wit, and many of his sayings are recorded. They are often bitter epigrams on his enemies, and inspired by hatred rather than truth. He called the virtuous La Fayette Grandison-Cromwell; and said of him that he had bien sauté pour reculer, as his latter conduct did not come up to his first entrance on life when he went to America. He was the implacable enemy of Necker, who, he says, was "a clock always too slow." While speaking in the national assembly, he pointed to a picture, emblemising Time, with his scythe and his hour-glass always full, exclaiming, "We have taken his scythe, but we have forgotten his time-piece." Of the national assembly he said, "It has Hannibals in plenty, and needs a Fabius." It was the fashion to call Clermont-Tonnerre the Pitt of France: "As you please," said Mirabeau; "but how would Pitt like to be called the Clermont-Tonnerre of England?" His faculty of wit rose sometimes into grandeur. When he spoke of the convulsions that would ensue on the entire overthrow of the monarchy, he cried, "You will have assassinations and massacres; but you will never rise to the execrable height of a civil war." Talleyrand said that he dramatised his death. It is a strange moment for vanity to become paramount; and the chief trait of his death-bed was his gentleness and serenity, and the affection he showed to his friends. Politics occupied him at times; and he said to those about him, "Après ma mort, les factieux se partageront les lambeaux de la monarchie."

The great quality of his mind was the power of seizing on any word or idea presented to him, and reproducing it at the right moment, with such vigour and fire as made it omnipotent. It was the eagle eye that enabled him on the instant to discern the right path, or the commanding idea, and to express it with force and majesty. With a lion heart, untiring perseverance, and the strength of a giant, he swept away opposition, inspired confidence, and fixed his standard far within the ranks of the enemy, where none dared touch it.

So well could he adapt his very ugliness, his flashing eyes, abundant hair, and marks of physical power, to the sentiments which he expressed, that an actor on hearing him speak in the tribune exclaimed, "Ah! what a pity he was born a gentleman; he has missed his vocation!" He was greater as an orator than a leader. But each day he lived he advanced in the science of party strife. At the last, when he contemplated an organised opposition to the jacobins, he became expert; but it may be believed that he would have found an insuperable obstacle to success in the passions of the people.

In early life his misfortunes arose from not having embarked in a fitting career. As a military man, a century before, as a marshal under Louis XIV., he had replaced Turenne; a few years later, he might have emulated Napoleon. As it was, had he been allowed to seek active service in the army, his turbulence had found vent in the midst of hardship and danger—a general would have been given to his country. Another school was needed to form the leader of the revolution: the exasperation engendered by tyranny, the resolution born in the solitude of a dungeon, the ambition nurtured by contempt of inferior men—all that had quelled a feebler man—gave force and direction to his passions, perception and enthusiasm to his genius, and made that Mirabeau, whom his countrymen regard as one of the greatest of their leaders, and whose name is a light that burns inextinguishably amidst the glory that illustrated the commencement of the French revolution.

[10]These extracts form the best part of the "Memoirs of Mirabeau," by M. Lucas Montigny, his adopted, or, rather, his natural son,—a work of zeal and labour, but undigested, diffuse, and ill-judged. Had the author published a selection from these letters, which were placed in his hands by the family, we should have an invaluable work. As it is, we are often as much tantalised by what is omitted, as edified by what is given, of the correspondence. When the extracts from it cease, the pages of the memoirs lose all their charm and value: they degenerate into little else than extracts from newspapers, and vapid discussions by the author.

[11]The subsequent history of this hapless victim of a depraved state of society which set the seal of guilt on her attachment, may be briefly stated. After the birth of her child, Sophie was taken from the asylum in which she was first placed, and confined in the convent of Saintes-Claires, at Gien. By degrees many indulgences were allowed her, and she received visits. Mirabeau became jealous, and angrily expressed his jealousy, both in letters, and in a single interview which they had after his liberation from Vincennes. Had Mirabeau come to this interview with a candid mind and a constant heart, he had at once have acknowledged Sophie's innocence. But his attachment had waned, and he was intent on completing his reconciliation with his father, and contriving one with his wife. He played the part of the wolf with the lamb in the fable; and, to the utter destruction of the nobler portion of his nature, the ties of love and affection, the knitting of which had occasioned misery and ruin to both, were broken for ever. Soon after, the death of her husband restored Sophie to her liberty, but she chose to continue to reside within the precincts of the convent, though she used her liberty to make visits and excursions. She was greatly loved by all who knew her. Her sweetness and gentleness attached many friends: her charity and kind sympathy caused her to be beloved by the poor, by whom her memory was long gratefully preserved. She formed a second attachment for a gentleman to whom she was about to be married, but his death prevented their union. Sophie resolved not to survive him. Immediately on receiving his last sigh, she prepared to die. She shut herself up with two braziers of burning charcoal; and was found on the morrow dead. She died on the 8th September, 1789, in the 37th year of her age.

[12]The subsequent life of Madame de Mirabeau was singular. For some years she continued under her father's guidance, and, at his wish, to live a life of pleasure; theatricals and every sort of dissipation being the order of the day. A reconciliation was set on foot, and had nearly been accomplished between her and her husband at the period of his death. She emigrated with her father during the revolution, and suffered a good deal of poverty. She subsequently married a count de Rocca, and visited Paris, to endeavour to recover some portion of her property. Her husband died soon after, and she resumed the name of Mirabeau, of which she became proud, reviving the recollections of past times, surrounding herself with every object that could remind her of the husband of her youth. She lived in intimacy with his sister, madame du Saillant, and extended her kindness to the young man whom Mirabeau had adopted. Though frivolous, she had never been ill conducted, and her faults, being those of timidity, are chiefly to be attributed to her father, who, loving ease and pleasure, and glad to have his daughter with him, prevented her by every means in his power from fulfilling her duties towards her husband. She passed her last years in the hotel de Mirabeau, and died in the year 1800, in the same room where her husband had expired.