He hastened from the palace, and in a few minutes after Beatrice was brought in; her countenance was deadly pale, and her arms hung lifelessly over the shoulder of one of the men who supported her; her hair was dank, and her garments wetted with the dew of morning; her eyes were open, and glared meaninglessly around. They laid her on a bed; and Euthanasia, approaching, took her hand; Beatrice did not notice her; she seemed to have lost all sensation, and the rolling of her eyes, and the convulsive gaspings of her breath, were all the signs of life that she gave.
Why should I describe the scenes that ensued during the following days? Descriptions of unmixed horror cannot be pleasing; and what other feelings could mingle to soften that sensation, on beholding the declining state of poor Beatrice? She never again had any return of reason, nor did she ever sleep; generally she lay, as I have described, pale and motionless; if ever she woke to sensation, it was to rave and scream, so that the hardest heart might have been penetrated with excess of pity. Some have seen, most have read the descriptions of, madness. She called upon Euthanasia, upon Castruccio; but, more than all, she fancied that she was chained to her dungeon-floor in her tremendous prison, mocked and laughed at by her keepers; and sometimes she imagined that these beloved friends were chained beside her, suffering those torments which she had herself endured. She never in her wildest sallies uttered a reproachful word against Castruccio, although it appeared that she sometimes thought that he accused himself; and then with the tenderest accents, and most winning sweetness, she bade him not grieve, and assured him that he had committed no fault.
These intervals of raving were short and rare; and, as she became weaker, she still seldomer emerged from her state of insensibility. She was evidently dying; the physicians gave no hopes of her life; and the priests crowded about her. Padre Lanfranco was among them; and he bitterly reproached himself for having left her, and endeavoured to compensate for his neglect, by watching day and night for some return of reason, when he might ask whether she died in the faith of the church. This never arrived: but the priests were lenient; they placed the crucifix on her breast, and she seemed to press it; once, when the name of her Redeemer was mentioned, her eyes lighted up, and a smile seemed to play upon her lips. She was so perfectly senseless, that this could have had no connexion with the words that had been used; but the charitable priests chose to construe it into an enternal assurance of the salvation of her soul; and they administered the sacraments. She never spoke afterwards; but day by day she grew weaker; Castruccio sent continually to inquire of her state; but he dared not come. Euthanasia hardly ever left her bed side; and she became as pale, and almost as weak, as the dying Beatrice.
Such had been the effect of the witch's incantations. Beatrice had needed the tenderest nursing; and she had received instead, a shock which saner nerves than hers could hardly have sustained. Yet her death was smoothed to her by the affectionate ministry of her friend; and she at last lost all sense even of pain. She died, peacefully, and calmly as a child; and her many sorrows and wrongs no longer filled her with anguish and despair. She died: Euthanasia was beside her when she heard a gentle sigh, followed by a fixedness of feature and rigidity of limb, which shewed that the mighty change had taken place in her frame.
Tears and lamentation succeeded to her death. Euthanasia wished that her funeral should be private and unnoticed; but Castruccio insisted that it should be attended with every circumstance of pomp used in those days. The room was hung with black cloth, and made as dark as night, to give brightness to the many torches by which it was illuminated. Beatrice was laid on a bier, arrayed in costly apparel, and canopied with a pall of black velvet embroidered with gold: flowers, whose beauty and freshness mocked the livid hues of the corpse, were strewn over her, and scattered about the room; and two boys walked about, swinging censers of incense. The chamber was filled with mourning women; one, the chief, dressed in black, with dishevelled hair, knelt near the head of the bier, and began the funeral song; she sang a strain in monotonous, but not unmelodious voice: the verses were extempore, and described the virtues and fortunes of the deceased; they ended with the words:
Oime! ora giace morta sulla bara![3]
And the other women, taking up the burthen, cried in shrill tones:
Oime! ora giace morta sulla bara!
Again they were silent: and the Cantatrice, renewing her song, repeated another verse in praise of poor Beatrice. Castruccio had told her in part what ought to be the subject of her song. The first verse described her as beautiful, beloved and prosperous, among her friends and fellow citizens: "Then," cried the singer, "the spoiler came; she lost all that was dear to her; and she wandered forth a wretch upon the earth. Who can tell what she suffered? Evil persons were abroad; they seized on her; and she became the victim of unspoken crimes: worse ills followed, madness and heresy, which threatened to destroy her soul."
The woman wept, wept unfeigned tears as she sang; and the hired mourners sympathized in her grief; each verse ended with the words,