ON
POETRY, &c.
A taste for rural scenes, in the present state of society, appears to be very often an artificial sentiment, rather inspired by poetry and romances, than a real perception of the beauties of nature. But, as it is reckoned a proof of refined taste to praise the calm pleasures which the country affords, the theme is never exhausted. Yet it may be made a question, whether this romantic kind of declamation, has much effect on the conduct of those, who leave, for a season, the crowded cities in which they were bred.
I have been led to these reflections, by observing, when I have resided for any length of time in the country, how few people seem to contemplate nature with their own eyes. I have "brushed the dew away" in the morning; but, pacing over the printless grass, I have wondered that, in such delightful situations, the sun was allowed to rise in solitary majesty, whilst my eyes alone hailed its beautifying beams. The webs of the evening have still been spread across the hedged path, unless some labouring man, trudging to work, disturbed the fairy structure; yet, in spite of this supineness, when I joined the social circle, every tongue rang changes on the pleasures of the country.
Having frequently had occasion to make the same observation, I was led to endeavour, in one of my solitary rambles, to trace the cause, and likewise to enquire why the poetry written in the infancy of society, is most natural: which, strictly speaking (for natural is a very indefinite expression) is merely to say, that it is the transcript of immediate sensations, in all their native wildness and simplicity, when fancy, awakened by the sight of interesting objects, was most actively at work. At such moments, sensibility quickly furnishes similes, and the sublimated spirits combine images, which rising spontaneously, it is not necessary coldly to ransack the understanding or memory, till the laborious efforts of judgment exclude present sensations, and damp the fire of enthusiasm.
The effusions of a vigorous mind, will ever tell us how far the understanding has been enlarged by thought, and stored with knowledge. The richness of the soil even appears on the surface; and the result of profound thinking, often mixing, with playful grace, in the reveries of the poet, smoothly incorporates with the ebullitions of animal spirits, when the finely fashioned nerve vibrates acutely with rapture, or when, relaxed by soft melancholy, a pleasing languor prompts the long-drawn sigh, and feeds the slowly falling tear.